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Original tekst

Messe de Requiem. Andre Campra. Voice sheet music. Choir sheet music. Piano and Keyboard sheet music.

Oversættelse

Messe de Requiem. Andre Campra. Voice noder. Choir noder. Klaver og keyboard noder.

Original tekst

Messe de Requiem composed by Andre Campra. 1660-1744. For ST. TBarB vocal soli, SST. TBarB. SST. choir, 2 flutes, 2 violins, 2 violas, bassi, basso continuo. French Sacred Music. Score available separately - see item CA.2100400. Requiem, Mourning, death. Viola 2 part. Language. Latin. Composed 1695. 12 pages. Duration 50 minutes. Published by Carus Verlag. CA.2100414. With Language. Latin. Requiem, Mourning, death. The Requiem was composed during Campra's tenure as the director of music at the cathedral of Notre Dame. It was commissioned for a service in memory of the deceased Archbishop of Paris. At the end of the 18th century it became a tradition in southern France to perform movements of Campra's Requiem during funerals or at memorial services. There is evidence from as late as 1805 which verifies this practice. The scoring of this work is remarkable, in that it calls for four groups of performers. a five-voice "Grand Choeur," a 2-3 voice "Petit Choeur," three vocal soloists as well as an instrumental group designated as a "Symphonie.

Oversættelse

Messe de Requiem komponeret af André Campra. 1660-1744. For ST. TBarB vokal soli, SST. TBarB. SST. kor, to fløjter, to violiner, to violaer, bas, basso continuo. French Sacred Music. Score købes separat - se punkt CA.2100400. Requiem, Mourning, død. Viola 2 del. Sprog. Latin. Komponeret 1695. 12 sider. Varighed 50 minutter. Udgivet af Carus Verlag. CA.2100414. Med Sprog. Latin. Requiem, Mourning, død. Requiem blev komponeret i løbet af Campra embedstid som direktør for musik på katedralen Notre Dame. Den blev bestilt til en tjeneste til minde om den afdøde ærkebiskop af Paris. I slutningen af ​​det 18. århundrede blev det en tradition i det sydlige Frankrig for at udføre bevægelser Campra Requiem under begravelser eller ved mindehøjtideligheder. Der er beviser fra så sent som 1805, som kontrollerer denne praksis. Den scoring af dette arbejde er bemærkelsesværdigt, idet det kræver fire grupper af kunstnere. en fem-stemme "Grand Choeur", en 2-3 stemme "Petit Choeur," tre sangsolister samt en instrumental gruppe udpeget som en "Symphonie.