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Original tekst

We Hasten with Eager Footsteps. Johann Sebastian Bach. B-Flat Instrument sheet music. C Instrument sheet music. Handbell sheet music. Handchime sheet music. Percussion sheet music.

Oversættelse

Skynder vi os med ivrige Footsteps. Johann Sebastian Bach. B-Flat Instrument noder. C Instrument noder. Handbell noder. Handchime noder. Percussion noder.

Original tekst

We Hasten with Eager Footsteps. Wir Eilen mit Schwachen. Composed by Johann Sebastian Bach. 1685-1750. Arranged by Martha Lynn Thompson. For handbells. 5-6 octaves. and handchimes. 2 octaves. with optional Bb instrument, C instrument. Level 5. Handbell score. Published by Chorister's Guild. LO.CGB294. This piece, which was the second movement of the cantata, was originally written for soprano and contralto duet, accompanied by cellos, double bass, and organ. The handbell arrangement incorporates all these parts. The bells ring the accompaniment parts and the soprano solo while the handchimes ring the contralto solo. The lowest bass line is always malleted while the upper bass line has an interesting and challenging eighth note pattern. Differentiating between accompaniment and solo lines, making the listener aware of both soprano and contralto solo lines, and ringing the piece at a brisk tempo will prove quite challenging to the advanced bell choir.

Oversættelse

Skynder vi os med ivrige Footsteps. Lad os skynde med svag. Komponeret af Johann Sebastian Bach. 1685-1750. Arrangeret af Martha Lynn Thompson. For handbells. 5-6 oktaver. og handchimes. 2 oktaver. med valgfri Bb instrument, C instrument. Level 5. Handbell score. Udgivet af Chorister Guild. LO.CGB294. Dette stykke, som var den anden bevægelse af kantaten, blev oprindeligt skrevet for sopran og kontraalt duet ledsaget af celloer, kontrabas og orgel. Den handbell arrangement indeholder alle disse dele. Klokkerne ringer akkompagnements dele og sopran solo, mens handchimes ring kontraalt solo. Den laveste bas linje er altid malleted mens den øvre bas linje har en interessant og udfordrende ottendedelsnode mønster. Skelne mellem akkompagnement og solo linjer, hvilket gør lytteren opmærksom på både sopran og kontraalt solo linjer, og ringer stykket i rask tempo vil vise sig ganske udfordrende at den avancerede klokke kor.