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Concerto for Drumset and Percussion Ensemble. score & parts. Glockenspiel sheet music. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Xylophone sheet music. Advanced.

Oversættelse

Koncert for Drumset og percussion Ensemble. score. Klokkespil noder. Marimba noder. Percussion noder. Vibrafon noder. Xylofon noder. Avanceret.

Original tekst

Concerto for Drumset and Percussion Ensemble. score & parts. composed by Jamie Whitmarsh. Soloist. with Percussion Ensemble. For soloist. with percussion ensemble. Solo Drumset. Snare Drum, 2 Rack Toms, Floor Tom, Kick Drum, Hi-Hat, Ride Cymbal, Crash Cymbal, 2 Assorted Cymbals. Crash, Splash, China. Player 1. Glockenspiel, Bowed Vibraphone. Player 2. Vibraphone. Player 3. 4-octave Marimba, Xylophone. Player 4. 4.3. Medium difficult. Score & parts. Duration 12. 00. Published by C. Alan Publications. CN.19820. Written to explore the multiple roles of the drumset, Concerto for Drumset and Percussion Ensemble divides into three sections, each treating the drumset in a unique way. The first treats the instrument as a classical multi-percussion set-up. The second treats the instrument much more melodically by utilizing the differences in pitch between the drums and cumbals. The third and final section allows the drumset to do what it specializes in - GROOVE. I wrote this piece as a way to explore the multiple roles of the drumset. Although it is typically considered a member of the rhythm section, I believe that the multitude of timbres available allows for more depth than simply keeping time or setting a groove. Despite this intent to explore, I intentionally refrained from attempting to encompass everything that is possible on this instrument. For instance, I did not utilize brushes or rods. Ultimately, the drumset has a lot to offer, and this piece is intended to give one interpretation of some of the possibilities. Concerto for Drumset and Percussion Ensemble is written in three sections. The first section treats the drumset as a collection of instruments and sounds - essentially as a multiple-percussion instrument. The focus of the writing is less on coordination of different limbs, and more in creating cohesive thematic material using the various sounds available. The second section uses the drumset to create and develop melodic material. While the snare drum. with snares off. is the central instrument, the differences in pitch between the different drums and cymbals allow for melodic contour to be suggested and absorbed. The final section allows the drumset to do what the drumset typically is used for - groove. This section alternates between soloistic fills and different grooves. The 9. 4 meter is divided as 5. 32. , 5. 32. , 5. 32. , 3. Although cadenza material is provided, the soloist should feel free to use that time to allow his or her own voice to emerge. The written cadenza may be followed literally, used as inspiration, or thrown out entirely. Additionally, from measures 410-419, the soloist may improvise different sound effects on various drums and cymbals, so long as an overall effect of decay is felt. Generally, rim shots are not intended to be loud, unless accented. Also, unless marked otherwise, cymbals and triangles should ring freely. - Jamie Whitmarsh.

Oversættelse

Koncert for Drumset og percussion Ensemble. score. komponeret af Jamie Whitmarsh. Solist. med Percussion Ensemble. For solist. med slagtøjsensemble. Solo Drumset. Lilletromme, 2 Rack Toms, Floor Tom, Kick Drum, Hi-Hat, Ride Cymbal, Crash Cymbal, 2 Diverse Cymbals. Crash, Splash, Kina. Spiller 1. Klokkespil, vibrafon Bowed. Spiller 2. Vibrafon. Spiller 3. 4-oktav Marimba, Xylofon. Player 4. 4.3. Medium svært. Score. Varighed 12. 00. Udgivet af C. Alan Publications. CN.19820. Skrevet til at udforske de mange roller drumset, Koncert for Drumset og percussion Ensemble deler sig i tre sektioner, der hver behandler drumset på en unik måde. De første behandler instrumentet som en klassisk multi-percussion set-up. Den anden behandler instrumentet langt mere melodisk ved at udnytte forskellene i tonehøjde mellem trommer og cumbals. Det tredje og sidste afsnit tillader drumset at gøre, hvad det har specialiseret sig i - GROOVE. Jeg skrev dette stykke som en måde at udforske de mange roller drumset. Selv om det typisk betragtes som en medlem af rytmegruppe, mener jeg, at de mange klange rådighed giver mulighed for mere dybde end blot at holde tid eller indstille en rille. På trods af denne hensigt at udforske, jeg bevidst undladt at forsøge at omfatte alt, hvad der er muligt på dette instrument. For eksempel har jeg ikke udnytte børster eller stænger. I sidste ende drumset har meget at tilbyde, og dette stykke er beregnet til at give en fortolkning af nogle af mulighederne. Koncert for Drumset og percussion Ensemble er skrevet i tre sektioner. Det første afsnit behandler drumset som en samling af instrumenter og lyde - i det væsentlige som en multiple-percussion instrument. Fokus i skriften er mindre om koordinering af forskellige lemmer, og mere i at skabe sammenhængende tematiske materiale ved hjælp af de forskellige lyde til rådighed. Det andet afsnit bruger drumset at skabe og udvikle melodiske materiale. Mens lilletromme. med snarer off. er det centrale instrument, forskellene i tonehøjde mellem de forskellige trommer og bækkener tillader melodisk kontur, der skal foreslås og absorberes. Det sidste afsnit gør det muligt for drumset at gøre, hvad den drumset typisk anvendes til - rille. Dette afsnit veksler mellem solistiske fyld og forskellige riller. 9. 4 meter er opdelt som 5. 32. 5.. 32. 5.. 32. , 3. Selvom kadence materiale udføres, bør solisten velkommen til at bruge den tid til at lade sin egen stemme at dukke. Den skriftlige kadence kan følges bogstaveligt, bruges som inspiration, eller smidt ud helt. Derudover fra foranstaltninger 410-419, kan solisten improvisere forskellige lydeffekter på forskellige trommer og bækkener, så længe som en samlet effekt af forfald kan mærkes. Generelt er kantslag ikke beregnet til at være højt, medmindre accent. Også, bør bækkener og trekanter ring, medmindre andet markeret frit. - Jamie Whitmarsh.