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Sacred Marimbist, The, Volume 2. Nathan Daughtrey. Marimba sheet music. Percussion sheet music. Advanced.

Oversættelse

Sacred Marimbist, The, Volume 2. Nathan Daughtrey. Marimba noder. Percussion noder. Avanceret.

Original tekst

Sacred Marimbist, The, Volume 2 composed by Nathan Daughtrey. For Marimba. 4-mallet. 4.3-octave Marimba. low A. Medium to medium difficult. Duration 25. 00-30. 00. Published by C. Alan Publications. CN.18000. Daughtrey's lovely arrangements in this collection help to fill the void of hymns available for solo marimba. All are playable on a low A marimba, but optional lower notes are provided throughout if you have an extended range instrument. This is the second volume in the Sacred Marimbist collection - the first arranged by David Gillingham and this collection arranged by Nathan Daughtrey. All arrangements in this book are playable on a 4.3-octave. low A. marimba. Optional lower notes are indicated in parentheses throughout. Tenuto marks. appear in every hymn, which indicate notes that should be brought out of the texture, such as melodic lines or points of harmonic interest. Additionally, nearly every arrangement features a flexible duration, giving the performer the option to shorten or lengthen the piece as the performance venue may require. Enjoy. PERFORMANCE NOTES Prelude on 'All Creatures of Our God & King'. Lasst Uns Erfreuen. Ralph Vaughan Williams wrote perhaps the most famous setting of this hymn. I, personally, grew up with this hymn as our doxology in church. Great care has been taken with the beaming to indicate which hands. mallets should be playing which notes. Pay close attention to the tenuto. marks above and below the pitches, indicating the melody and harmony lines to receive more emphasis. Appropriate during any part of the liturgical calendar. Reflection on 'Let All Mortal Flesh Keep Silence'. Traditional French. This hymn, also known as 'Picardy,' is most appropriate during Advent. Be mindful of the fading echo effect throughout the first two pages of the arrangement. Note that only the left-hand accompaniment fades, while the right-hand melody remains constant. Offertory on 'Amazing Grace'. Traditional. Probably the most recognizable hymn in the collection, 'Amazing Grace' appears here in a more popular style with a great deal of syncopation and less traditional harmonies. This arrangement is perfect at any time of the year and during any part of the service. Meditation on 'What Wondrous Love Is This'. William Walker. This lovely hymn from 'Southern Harmony' has a feeling of Americana to it. This lush & solemn setting should be performed with a lot of give & take in tempo and dynamics. The melody throughout the chorale section should be played by the two inside mallets while the outer harmonies are played by the outside mallets. The 12. 8 section should be performed smoothly and connected so that it retains the sound of rolling. Postlude on 'Joyful, Joyful, We Adore Thee'. L.V. Beethoven. Also known as 'Ode to Joy' from Beethoven's 9th Symphony, this tune is appropriate during any point in the liturgical year. I recommend that you play this arrangement as the postlude, as the dance-like 7. 8 might not lend itself to quiet meditation during other parts of the service. An ossia has been provided on the last page of the book for one particularly tricky section. Prelude on 'For the Beauty of the Earth'. Conrad Kocher. This hymn tune known as 'Dix' should be performed rather quietly and with a bit of a lilt in both of the contrasting sections. I would recommend soft and heavier mallets in the left hand so the bass notes may be emphasized throughout the first section and from m. 25 to 46. Theme & Variations on 'Fillmore'. Jeremiah Ingalls. Used as the melody for several different hymns, it is presented here in a straightforward four-part chorale setting for the theme. The variations don't stray too far from the original theme, but great care should be taken to always bring out the theme. You should also choose mallets wisely, as you are required to perform both quick rhythmic figures in several ranges of the instrument as well as perform a soft, rolled chorale. Fantasy on 'This Is My Father's World'. Traditional English. This setting of the melody 'Terra Beata' presents some technical challenges involving mallet placement on the bars. Don't be afraid to use a more rubato tempo to help some of the awkward arm position shifts, but do not sacrifice the musical integrity of the arrangement. The sticking figuration in the second presentation of the hymn. 44. remains constant until the end of the piece. You might do well to incorporate this figuration. 4-3-1-2-3-4-1-2. into your daily warm-up so that you may manipulate every musical nuance available to you.

Oversættelse

Sacred Marimbist, The, bind 2 komponeret af Nathan Daughtrey. For Marimba. 4-hammer. 4.3 oktav Marimba. lav A. Medium til medium vanskeligt. Varighed 25. 00-30. 00. Udgivet af C. Alan Publications. CN.18000. Daughtrey skønne arrangementer i denne samling hjælp til at udfylde det tomrum af salmer til rådighed for solo marimba. Alle er spilbare på et lavt En marimba, men valgfri nederste noter er til rådighed i hele, hvis du har et udvidet sortiment instrument. Dette er det andet bind i den hellige Marimbist samling - den første arrangeret af David Gillingham og denne samling arrangeret af Nathan Daughtrey. Alle arrangementer i denne bog er spilbare på en 4,3-oktav. lav A. marimba. Valgfri lavere noter er angivet i parentes i hele. Tenuto mærker. vises i alle salme, som angiver noter, bør bringes ud af tekstur, såsom melodiske linjer eller punkter af harmonisk interesse. Derudover næsten hvert arrangement er udstyret med en fleksibel varighed, der giver den udøvende kunstner mulighed for at afkorte eller forlænge brik som udførelsen mødested kan kræve. Nyd. PERFORMANCE NOTER Prelude på 'Alle skabninger i vor Gud. Lad os nyde. Ralph Vaughan Williams skrev måske den mest berømte indstilling af denne salme. Jeg, personligt, voksede op med denne salme som vores Doxology i kirken. Stor omhu er blevet taget med straalende at angive, hvilke hænder. køller skal spille hvilke toner. Vær meget opmærksom på tenuto. mærker over og under banerne angivelse melodi og harmoni linjer til at modtage mere vægt. Passende under enhver del af den liturgiske kalender. Overvejelser om "Lad All Mortal Flesh Keep Silence '. Traditional French. Denne salme, også kendt som 'Picardie, "der er mest hensigtsmæssig i Advent. Vær opmærksom på den svindende ekko-effekt i de første to sider af arrangementet. Bemærk, at kun den venstre akkompagnement svinder, mens den højre melodi forbliver konstant. Offertoriet om 'Amazing Grace'. Traditionel. Sandsynligvis den mest genkendelige salme i samlingen, 'Amazing Grace' vises her i en mere populær stil med en stor Syncopation og mindre traditionelle harmonier. Dette arrangement er perfekt på ethvert tidspunkt af året og i løbet af nogen del af tjenesten. Meditation på "Hvad Wondrous Love Is Denne". William Walker. Denne dejlige salme fra 'Southern Harmony "har en følelse af Americana til det. Denne frodige. Melodien hele koralen afsnit bør spilles af de to indvendige køller, mens de ydre harmonier spilles af de udvendige køller. 12. 8 sektion skal udføres jævnt og tilsluttet, så den bevarer lyden af ​​rullende. Efterspil på 'Joyful, Joyful, Vi tilbeder dig'. L.V. Beethoven. Også kendt som 'Ode til Glæden "fra Beethovens 9. symfoni, denne melodi er hensigtsmæssig under ethvert punkt i liturgiske år. Jeg anbefaler, at du spiller dette arrangement som efterspillet, som dansen-lignende 7. 8 måske ikke egner sig til stille meditation i andre dele af tjenesten. En ossia er stillet på den sidste side i bogen for en særlig vanskelig sektion. Prelude om »For Beauty of the Earth '. Conrad Kocher. Denne salmemelodi kendt som 'Dix' bør udføres temmelig stille og lidt af en munter sang i begge de kontrastfarve sektioner med. Jeg vil anbefale bløde og tungere køller i venstre hånd, så bastoner kan fremhævet i hele den første sektion og fra m. 25-46. Tema. Jeremiah Ingalls. Brugt som melodien til flere forskellige salmer, er det præsenteres her i en enkel fire-del koral indstilling til temaet. Variationerne ikke omstrejfende for langt fra det oprindelige tema, men bør udvises stor forsigtighed med at altid bringe temaet. Du bør også vælge køller klogt, som du er forpligtet til at udføre både hurtige rytmiske figurer i flere intervaller af instrumentet samt udføre en blød, valset koral. Fantasy om 'Dette er min far World'. Traditional English. Denne indstilling af melodien "Terra Beata 'præsenterer nogle tekniske udfordringer, der involverer hammer placering på barer. Må ikke være bange for at bruge en mere rubato tempo for at hjælpe nogle af de ubehagelige arm position skift, men ikke ofrer den musikalske integritet arrangement. Den stikning figuration i anden præsentation af salmen. 44. forbliver konstant indtil slutningen af ​​stykket. Du vil måske gøre klogt i at indarbejde denne figuration. 4-3-1-2-3-4-1-2. ind i din daglige warm-up, så du kan manipulere hver musikalsk nuance til rådighed for dig.