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Original tekst

Sleep. Benny Carter. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Oversættelse

Sleep. Benny Carter. Guitar noder. B-Flat Trumpet noder. Drums noder. Percussion noder. Klaver Noder. Trombone noder. Avanceret.

Original tekst

Sleep by Benny Carter. Edited by Jeffrey Sultanof. Arranged by Benny Carter. For big band. Solo Alto Saxophone, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums. Swing. Advanced. Score and parts. Published by Jazz Lines Publications. JL.JLP-8463. Background. In 1940, Benny Carter was acknowledged by the music press to be one of the leading lights on the American big band scene. Several bandleaders had his music in their books, and Benny led his own big band, touring and making records. Unfortunately, Carters band never really caught on despite the fine music it played, partly because it did not have a hit record, but also because Carter himself was not a flashy soloist such as Harry James and Jimmy Dorsey. Carter played and soloed on alto saxophone and trumpet. That did not mean that he wasn't an excellent soloist. he most certainly was, but he was appreciated more by musicians than the public at large. The Music. Sleep. composed and published in 1923 by Earl Lebieg. was then known as the theme for Fred Waring and his Pennsylvanians. Waring began as a bandleader and eventually formed the top choral organization in the United States, with his own radio. and later television. show. Waring was almost totally responsible for the school choral movement beginning in the late forties. He continued to tour, record and give choral workshops until his death in 1984. Sleep was composed as a waltz, but in Carters hands, it becomes an ensemble tour-de-force. In our opinion, it is not only a masterpiece, but is one of the finest arrangements of a song in the history of the big bands. Carter transforms Sleep into a challenging and exciting presentation that really puts a band through its paces. In 1972, Carter updated and slightly simplified the original arrangement for an all-star ensemble performance at the Newport Jazz Festival in New York. This became the official version of the arrangement, and Carter would play it with students and professionals all over the world. It is the only one authorized by the Carter estate. Notes to the Conductor. During the mid 1940s, Carters band performed this arrangement at such a blisteringly fast tempo that the band could just barely play the figures properly. Carters biographer and close friend Ed Berger asked him about these performances when he was preparing the two-volume bio-discography of Carter. Scarecrow Press. How did the tempo get so fast. Benny was surprised upon hearing airchecks many years after the fact, and gave the comment. Maybe it was the war. This setting makes an equally effective opener or closer or a terrific festival piece. The sound sample is courtesy of the Empire Jazz Orchestra.

Oversættelse

Sleep af Benny Carter. Redigeret af Jeffrey Sultanof. Arrangeret af Benny Carter. For big band. Solo Altsaxofon 2 Alto saxofoner, 2 Tenor saxofoner, baryton saxofon, 4 trompeter, 4 basuner, guitar, klaver, bas, trommer. Swing. Avanceret. Partitur og stemmer. Udgivet af Jazz Lines Publications. JL.JLP-8463. Baggrund. I 1940 blev Benny Carter anerkendt af musikpressen at være en af ​​de førende lyser på det amerikanske big band scene. Adskillige dirigenter havde sin musik i deres bøger, og Benny førte sit eget big band, touring og gøre optegnelser. Desværre Carters bandet aldrig rigtig fanget på trods af den fine musik, det spillede, dels fordi det ikke har et hit rekord, men også fordi Carter selv var ikke en prangende solist såsom Harry James og Jimmy Dorsey. Carter spillede og soloed på altsaxofon og trompet. Det betød ikke, at han ikke var en fremragende solist. han helt sikkert var, men han blev værdsat mere af musikere end den brede offentlighed. The Music. Sleep. komponeret og udgivet i 1923 af Earl Lebieg. blev derefter kendt som tema for Fred Waring og hans Pennsylvanians. Waring begyndte som en orkesterleder og til sidst dannede den øverste kormusik organisation i USA, med sin egen radio. og senere tv. show. Waring var næsten totalt ansvarlig for skolens kor bevægelse begynder i slutningen af ​​fyrrerne. Han fortsatte med at turnere, indspille og give kor workshops indtil sin død i 1984. Søvn blev komponeret som en vals, men i Carters hænder, bliver det et ensemble tour-de-force. Efter vores mening er det ikke kun et mesterværk, men er en af ​​de fineste arrangementer af en sang i historien om de store bands. Carter forvandler Sleep i en udfordrende og spændende præsentation, der virkelig sætter et band gennem sine hastigheder. I 1972 Carter opdateret og lidt forenklet den oprindelige ordning for en all-star ensemble optræden på Newport Jazz Festival i New York. Dette blev den officielle version af arrangementet, og Carter ville spille det med studerende og professionelle i hele verden. Det er den eneste godkendt af Carter ejendom. Noter til Dirigent. I midten af ​​1940'erne, Carters band udført dette arrangement på sådan en lynhurtig tempo, at bandet bare kunne knap nok spille tallene korrekt. Carters biograf og nære ven Ed Berger spurgte ham om disse forestillinger, da han var ved at forberede to-binds bio-diskografi Carter. Scarecrow Press. Hvordan fik tempoet få så hurtigt. Benny var overrasket over at høre airchecks mange år efter den kendsgerning, og gav kommentar. Måske var det krigen. Denne indstilling gør en lige så effektiv oplukker eller tættere eller et fantastisk stykke festival. Lyden Prøven er venligst udlånt af Empire Jazz Orchestra.