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Original tekst

Rocker. Guitar sheet music. Alto Saxophone sheet music. Cello sheet music. Drums sheet music. Harp sheet music. Oboe sheet music. Percussion sheet music. Piano sheet music. Viola sheet music. Violin sheet music. Advanced.

Oversættelse

Rocker. Guitar noder. Altsaxofon noder. Cello noder. Drums noder. Harp noder. Obo noder. Percussion noder. Klaver Noder. Viola noder. Violin noder. Avanceret.

Original tekst

Rocker by Charlie Parker With Strings. Edited by Jeffrey Sultanof. Arranged by Gerry Mulligan. For studio ensemble featuring alto saxophone. Alto Saxophone, Oboe, 3 Violins, Viola, Cello, Harp, Guitar, Piano, Bass, Drums. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8011. Excerpted from the edition's notes by Jeffrey Sultanof. Background. Charlie Parker with Strings, an album arranged by Jimmy Carroll. Caruana. that Parker recorded in November, 1949 with a small string orchestra, oboe and rhythm section was a major success. A second album with arrangements by Joe Lipman was recorded in the summer of 1950, and soon after, Parker was performing these arrangements in public. Along with the arrangements recorded, additional pieces were written by Carroll, Lipman, legendary arranger Jimmy Mundy. veteran of the Goodman, Shaw, James, Basie and several other top big bands. and Gerry Mulligan. Parker first met Mulligan in Gerry's home town of Philadelphia when Mulligan was still a teen. Both participated in the same concert at the Academy of Music where Parker's group included Dizzy Gillespie and Sarah Vaughan. Mulligan was playing tenor sax at the time. Parker invited Gerry to join him at a post-concert jam session, the young musician believing that he was a guest. Parker handed Mulligan the tenor and told him to play. Scared to death, Mulligan did his best. Even though Mulligan's saxophone playing was not as developed as his arranging ability at the time, Parker was kind and encouraging. They next met at Gil Evans' 55th Street apartment, where musicians of all types were invited to crash anytime they wanted. Parker came to sleep and to listen to the concert music Evans was borrowing from the library. By that time, Mulligan was well established as a major compositional voice in the new jazz, and would be one of the main architects of the Miles Davis Nonet. By 1950, many musicians were scuffling, so the commission from Parker was most welcome. This was probably Mulligan's first experience writing for strings, oboe, harp and rhythm section. It is an adequate job given the nature of the tune, consisting of a rhythmic figure that is repeated throughout and then 'footballs'. half notes and whole notes. Mulligan was to write a second arrangement for the same ensemble, but it was never finished. The Music. Mulligan originally wrote Rock Salt in March of 1950 for the Miles Davis Nonet, scored it for Parker and strings, and for the Elliot Lawrence Orchestra. The nonet recording is well-known, coming from the last recording session of that ensemble. Lawrence recorded an album of Mulligan arrangements in 1954 that included Rock Salt when the saxophonist was on the west coast, but Mulligan was displeased with the tempo of that recording. The Parker with Strings version comes from a live performance of the ensemble at Carnegie Hall. The sources for this publication are the actual parts in Mulligan's hand, except for the bass part, which is in an unidentified hand. It is clear that these parts were copied quickly in that there were many shortcuts taken. We have included additional parts so that this arrangement can be played without strings. Here is a schedule of the alternate parts. OBOE. Guitar or Clarinet VIOLIN A. Alto Sax 2 VIOLIN B. Alto Sax 3 VIOLIN C. Tenor Sax 1 or Trumpet VIOLA. Tenor Sax 2 of Trumpet CELLO. Baritone Sax or Trombone Charlie Parker did a live performance at Carnegie Hall on September 17, 1950 with a similar group performing some of the tunes that he had previously recorded. The musicians that night included. Tommy Mace on Oboe. Ted Blume, Sam Caplan, and Stan Karpenia on violins. Dave Uchitel on Viola. unknown cello. Wallace McManus on harp. Al Haig on piano. Tommy Potter on bass. and Roy Haynes on drums. This is a great arrangement featuring interesting counterpoint and fresh-sounding harmonies clealy influenced by Tchaikovsky and Bartok. Gerry Mulligan, only 23 at the time, but already famous from his work with Claude Thornhill and Miles Davis. he did most of the arrangements for Birth of the Cool. , put together a hip-sounding string arrangement based on his original composition. We have used the original manuscript as a basis for this publication. Though, we did transcribe Charlie Parker's part and the beginning piano solo and they are presented here as-played. But, in a separate staff we also indicated what was written for him so that your alto player has a choice in what to play. We have marked this as difficult due to the demands of the alto part. assuming it is performed as Parker played it. But, other than that it is not a difficult arrangement. Chord changes have been supplied for the alto solo - the solo section is 'I Got Rhythm' changes in concert C. This publication features some of the most important bebop playing and influential arranging of the 20th century. NOTE. This is part of our Charlie Parker with Strings series of arrangements.

Oversættelse

Rocker af Charlie Parker med strygere. Redigeret af Jeffrey Sultanof. Arrangeret af Gerry Mulligan. For studiet ensemble byder altsaxofon. Altsaxofon, obo, 3 violiner, bratsch, cello, harpe, guitar, klaver, bas, trommer. Swing. Svært. Fuld score og sæt dele. Udgivet af Jazz Lines Publications. JL.JLP-8011. Uddrag fra den udgave noter af Jeffrey Sultanof. Baggrund. Charlie Parker med strygere, et album arrangeret af Jimmy Carroll. Caruana. at Parker indspillet i november 1949 med en lille strygeorkester, obo og rytmesektion var en stor succes. Et andet album med arrangementer af Joe Lipman blev indspillet i sommeren 1950 og snart efter, Parker optrådte disse ordninger i det offentlige. Sammen med ordningerne blev ekstra stykker skrevet af Carroll, Lipman, legendariske arrangør Jimmy Mundy. veteran i Goodman, Shaw, James, Basie og flere andre top bigbands. og Gerry Mulligan. Parker først mødte Mulligan i Gerry hjemby Philadelphia da Mulligan var stadig en teenager. Begge har deltaget i den samme koncert på Academy of Music, hvor Parkers gruppe omfattede Dizzy Gillespie og Sarah Vaughan. Mulligan spillede tenor sax på det tidspunkt. Parker inviterede Gerry at slutte sig til ham på en post-koncert jam session, den unge musiker tro, at han var en gæst. Parker rakte Mulligan tenor og fortalte ham at spille. Bange for døden, Mulligan gjorde sit bedste. Selvom Mulligans saxofon spiller var ikke så udviklet som hans arrangere evne på det tidspunkt, Parker var venlig og opmuntrende. De mødtes næste på Gil Evans '55th Street lejlighed, hvor musikere i alle typer blev opfordret til at gå ned når som helst de ønskede. Parker kom til at sove og lytte til koncerten musik Evans blev låne fra biblioteket. På det tidspunkt var Mulligan veletableret som en vigtig kompositorisk stemme i den nye jazz, og ville være en af ​​de vigtigste arkitekter Miles Davis Nonet. I 1950 blev mange musikere scuffling, så provisionen fra Parker var mest velkommen. Dette var sandsynligvis Mulligan første erfaring med at skrive for strygere, obo, harpe og rytmesektion. Det er en passende opgave i betragtning af arten af ​​den melodi, som består af en rytmisk figur, der gentages hele og derefter 'fodbolde'. halvnoder og helnoder. Mulligan var at skrive en anden ordning for samme ensemble, men det blev aldrig færdig. The Music. Mulligan oprindeligt skrev Rock Salt i marts 1950 til Miles Davis Nonet, scorede det for Parker og strygere, og for Elliot Lawrence Orchestra. Den nonet optagelse er velkendt, der kommer fra den sidste indspilningen af ​​denne ensemble. Lawrence indspillet et album med Mulligan arrangementer i 1954, der omfattede Rock Salt når saxofonisten var på vestkysten, men Mulligan var utilfreds med tempoet i denne optagelse. Parker med Strings version kommer fra en live performance af ensemblet på Carnegie Hall. Kilderne til denne publikation er de faktiske dele i Mulligan hånd, med undtagelse af bas del, som er i en uidentificeret hånd. Det er klart, at disse dele blev kopieret hurtigt at der var mange genveje taget. Vi har inkluderet yderligere dele, således at dette arrangement kan spilles uden strygere. Her er en oversigt over de alternative dele. OBOE. Guitar eller Klarinet VIOLIN A. Altsax 2 VIOLIN B. Altsax 3 VIOLIN C. Tenor Sax 1 eller Trumpet VIOLA. Tenor Sax 2 Trumpet CELLO. Baryton Sax eller Trombone Charlie Parker gjorde en live-optræden i Carnegie Hall den 17. september 1950 en tilsvarende gruppe at udføre nogle af de melodier, som han tidligere havde indspillet. De musikere, der natten inkluderet. Tommy Mace om Obo. Ted Blume, Sam Caplan, og Stan Karpenia om violiner. Dave Uchitel om Viola. ukendt cello. Wallace McManus på harpe. Al Haig på klaver. Tommy Potter på bas. og Roy Haynes på trommer. Dette er en stor arrangement byder interessant kontrapunkt og friske klingende harmonier clealy påvirket af Tchaikovsky og Bartok. Gerry Mulligan, kun 23 på det tidspunkt, men allerede berømt fra sit arbejde med Claude Thornhill og Miles Davis. han gjorde de fleste af de ordninger for fødsel Cool. , Sat sammen en hip-klingende streng ordning baseret på hans oprindelige sammensætning. Vi har brugt den oprindelige manuskript som grundlag for denne publikation. Selvom, vi transskribere Charlie Parkers del og den begyndende klaver solo og de præsenteres her som spillede. Men i en særskilt personale vi også angivet, hvad der blev skrevet til ham, så din alto spiller har et valg i hvad du vil spille. Vi har markeret dette som vanskeligt på grund af de krav, alto del. forudsat, at den udføres som Parker spillede det. Men, bortset fra at det ikke er en vanskelig arrangement. Er blevet leveret akkordskift for alto solo - solo sektion er "I Got Rhythm 'ændringer i koncert C. Denne publikation indeholder nogle af de vigtigste bebop spiller og indflydelsesrige formidling af det 20. århundrede. BEMÆRK. Dette er en del af vores Charlie Parker med Strings række arrangementer.