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Original tekst

L'Enfance du Christ. Hector Berlioz. Voice sheet music. B-Flat Trumpet sheet music. Choir sheet music. Double Bass sheet music. English Horn sheet music. Harp sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music. Organ Accompaniment sheet music.

Oversættelse

L'Enfance du Kristus. Hector Berlioz. Voice noder. B-Flat Trumpet noder. Choir noder. Double Bass noder. Engelsk horn noder. Harp noder. Percussion noder. Timpani noder. Trombone noder. Orgelledsagelse noder.

Original tekst

L'Enfance du Christ. Trilogie sacree. Composed by Hector Berlioz. 1803-1869. Edited by Paul Prevost. For STBarB vocal soli, SATB choir, 2 flutes, 2 english horn, 2 clarinets, 2 bassoons, 2 horns, 4 trumpets 3 trombones, timpani, harp, 2 violins, viola, cello, contrabass, organ. E-Moll. E minor. French Sacred Music. Score available separately - see item CA.7003800. Oratorios, Christmas. Level 3. Organ part. Language. German. French. Op. 25. 2 pages. Duration 95 minutes. Published by Carus Verlag. CA.7003849. With Language. German. French. Oratorios, Christmas. The history of the composition of the oratorio is odd. the kernel of this three-part work were the movements from the middle section, the "Flight to Egypt," which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled "The dream of Herodes" and "The arrival at Sais," had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almost always depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this "sacred trilogy" a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll.

Oversættelse

L'Enfance du Kristus. Trilogie sacrée. Komponeret af Hector Berlioz. 1803-1869. Redigeret af Paul Prevost. For STBarB vokal soli, SATB kor, 2 fløjter, 2 engelske horn, 2 klarinetter, 2 fagotter, 2 horn, 4 trompeter 3 Basuner, pauker, harpe, 2 violiner, bratsch, cello, kontrabas, orgel. E-Moll. E-mol. French Sacred Music. Score købes separat - se punkt CA.7003800. Oratorier, jul. Niveau 3. Organ del. Sprog. German. French. Op. 25. 2 sider. Varighed 95 minutter. Udgivet af Carus Verlag. CA.7003849. Med Sprog. German. French. Oratorier, jul. Historien om sammensætningen af ​​oratorium er ulige. kernen af ​​denne tredelte arbejde var bevægelserne fra den midterste sektion er "Flugten til Ægypten", som Berlioz komponeret på et indfald i 1850, og som han gik ud som arbejdet i en barok komponist, hvis eksistens han selv havde opfundet. I 1854 den treenighed, som blev afsluttet med de dele titlen "Drømmen om Herodes" og "Ankomsten til Sais," havde sin berømte uropførelse. Start fra Matthæusevangeliet, med besøg af astrologen til Herodes og flyvningen af ​​den hellige familie til Egypten, Berlioz valgte at relatere historien om begivenhederne i julen fra en anden vinkel, bortset fra som det er næsten altid afbildet , efter Lukasevangeliet. Denne dygtige dramatisering, med imponerende instrumentelle sektioner, såsom den uafhængige trio for to fløjter og harpe samt de effektive omkvæd med lokalkolorit, gør denne "hellige trilogi" et reelt alternativ for performance ved juletid. Den score, offentliggjort i 1855, indeholdt en anden sang tekst på tysk, som var blevet oversat fra fransk af Peter Cornelius. Den kritiske udgave af Carus præsenterer en ny oversættelse af Klaus Kreuser der, i modsætning til den tekst af Cornelius, klæber bedre til den franske original og undgår at blive en forskønnet idyl.