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Original tekst

Genesis 1.3-8. Harp sheet music. Piano sheet music. Vibraphone sheet music.

Oversættelse

Genesis 1,3-8. Harp noder. Klaver Noder. Vibrafon noder.

Original tekst

Genesis 1.3-8 composed by Cristiano Melli. For Harp, piano, celesta & vibraphone. Score & Parts. 32 pages. Duration 10'. Published by Periferia Music. PF.M-69216-323-7. GENESIS 1.3-8 was originaly conceived as a work for string quartet, in 2003. During the composition, however, I gradually left the strings to a more 'keyboard' formation. The sensation of lights and colours which came from the development of the work seemed perfect, to me, in a formation including instruments as the harp, the celesta, the piano and the vibraphone. It's from these general outlines that the work got its final shape. The structure of the work, which resembles the traditional four movements of western concert music, is built upon a twelve tone line, presented at the very begining. and developed in the first part. from it, I derived 12 chords. These chords were permutated, and they appear in these resulting sequences, until the second half of the last part of the work - from this point, until the end of the piece, the chords were used with freedom, which alowed then to form, from their interaction, new possibilities, new sounds, new colors - after the genesis, the Creation started to live independent from the Creator. The work is dedicated to the great pianist Carlos Yansen, a good friend and a musician of rare sensibility. and I was honored by Almeida Prado, the most important composer in Brazil, who wrote, when saw the score. 'It's a scandal of Lights and Waters.

Oversættelse

Genesis 1,3-8 komponeret af Cristiano Melli. For Harp, klaver, celeste. Score. 32 sider. Varighed 10 '. Udgivet af Periferia Music. PF.M-69216-323-7. GENESIS 1,3-8 blev originaly tænkt som et værk for strygekvartet, i 2003. Under sammensætning, men jeg efterhånden forlod strengene til en mere 'tastatur' formation. Den fornemmelse af lys og farver, som kom fra udviklingen af ​​arbejdet virkede perfekt, for mig, i en formation, herunder instrumenter som harpe, den celeste, klaver og vibrafon. Det er fra disse generelle retningslinjer at arbejde fik sin endelige form. Strukturen af ​​det arbejde, der ligner de traditionelle fire satser vestlige koncert musik, er bygget på en tolv tone linje, præsenteret på den meget starter. og udviklet i den første del. fra det, jeg stammer 12 akkorder. Disse akkorder permuteret, og de vises i disse resulterende sekvenser, indtil anden halvdel af sidste del af arbejdet - fra dette punkt, indtil slutningen af ​​stykket blev akkorder bruges med frihed, som alowed derefter at danne, fra deres interaktion, nye muligheder, nye lyde, nye farver - efter tilblivelsen, Skabelsen begyndte at leve uafhængigt fra Skaberen. Værket er dedikeret til den store pianist Carlos Yansen, en god ven og en musiker af sjælden sensibilitet. og jeg var beæret over Almeida Prado, den vigtigste komponist i Brasilien, der skrev, når så score. "Det er en skandale af Lights og vande.