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Original tekst

Awatovi. Bassoon sheet music. Clarinet Solo sheet music.

Oversættelse

Awatovi. Fagot noder. Klarinet Solo noder.

Original tekst

Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.

Oversættelse

Awatovi komponeret af Daniel Baldwin. For klarinet, fagot. Level 5. Udgivet af Imagine Music. IG.CMS126. De Awatovi ruiner, der ligger i Arizona, var engang et blomstrende Hopi landsby, der har eksisteret i over 450 år, før deres første besøgende ankom i 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, i over 150 år, haft en forholdsvis fredelig sameksistens med spanierne bagefter, men ved 1700, endelig kom til et sammenstød mellem traditionalist Hopi og de konverterede katolikker. Resultatet var, at traditionalisterne massakrerede konvertitter og derefter destrueres landsbyen. Symbolsk, faldet af landsbyen markerede afslutningen på spansk indblanding i Hopi liv. Åbningen linje fra fagot repræsenterer de blandede hensigter de første opdagelsesrejsende ledet af Coronado og er beregnet til at formidle både spanske og indianske stemmer. Det er også en vision for fremtiden at komme, en jagende foregribelse af de smukke endnu golde ruiner til at komme. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. Mens Coronado efterforskning var ikke uden konflikt, valgte jeg at fokusere på den fredelige karakter af hans mission. Der er to sektioner her. begge er spansk-flavored, men den første er repræsentativ for udforskning, mens den anden del er beregnet til at foreslå et lejrbål sang afspejler, hvad rejsen kunne have været ligesom ved nattetid, da de hvilede, snakkede, og sang sange. Dette fører til bevægelser to. Kiva. The Kiva murals were discovered in theAwatovi ruins. Det er malerier, der repræsenterer Hopi stammefolk ritualer og ceremonier. I have used the style of NativeAmerican flute music to portray this. Næste er den Bugle Call eller El Deguello repræsenteret og ved fagot spiller. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. Musikken skifter til at repræsentere selve angrebet, der er portrætteret af en meget disharmonisk og dramatisk overgangsordning passage. Endelig Kiva cirkler tilbage til åbningen materiale i en anden toneart, symbol på skift i opfattelsen fra spansk conquistador, til Hopi efterkommer. Awatovi blev skrevet på foranledning min gode ven Ric Jones, og blev støttet af Richard Ramey og et konsortium bestående af obo og fagot afspillere. Tak til jer alle for din vision og støtte til dette projekt. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. Klarinet, fagot og klaver version blev uropført på IDRS konference på Miami University i Ohio af Robert og Mary Nan Jordan 2012 om 9 juli 2012.