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Original tekst

The Morning Star. from Spring Symphony, Op. 44. Benjamin Britten. Choir sheet music. Piano Accompaniment sheet music.

Oversættelse

The Morning Star. fra Spring Symphony, Op. 44. Benjamin Britten. Choir noder. Klaverakkompagnement noder.

Original tekst

The Morning Star. from Spring Symphony, Op. 44. SATB and Piano Reduction. Composed by Benjamin Britten. 1913-1976. For Choral. SATB. BH Secular Choral. 8 pages. Boosey & Hawkes #M051481903. Published by Boosey & Hawkes. HL.48022502. ISBN 1480330442. 6.75x10.5 inches. Publisher. Boosey & Hawkes. Difficulty level. The Spring Symphony was commissioned by the Koussevitzky Music Foundation and is dedicated to Serge Koussevitzky and the Boston Symphony Orchestra. It was actually premiered at the Concertgebouw, Amsterdam in July 1949 before its American premiere the following month at Tanglewood by its dedicatees. This work is a major undertaking from all points of view. It uses a huge orchestra. complete with cow horn which has to be hired specially. , a children's choir which certainly does not have to be composed only of boys, three soloists, and a large SATB chorus which is given very challenging and detailed music to sing. If any work demonstrates the flip side of the Britten coin from Saint Nicolas it must be the Spring Symphony. Here is a seriously intentioned, highly contemporary work for its time which nevertheless shows his predilection for anthologising texts, for creating amazing moments of levity - approaching the humorous episodes in his operas - and producing a score of such colour and vibrancy that the impression left on the mind is indelible. Despite being composed for an American ensemble and conductor this work is quintessentially British. The poems have strong connections with English pastoral imagery and some are forever associated with settings as madrigals. In fact this madrigalian emphasis bubbles gently beneath the surface for much of the work and points up where Britten's roots really lie. This is a challenging work on all fronts and is an extremely complex composition. It is however eminently performable by a choir of sufficient size to balance the large orchestra and who can rise to the level of attainment Britten requires. It also really does need a childrens' choir - and a children's choir which can sing with real confidence and projection. They are given a key role to play in this work. In fact the 'spring' element so vital to the whole concept is underscored by young singers in the 'springtime' of their lives. This, therefore, has to have a completely different kind of tone quality from the main choir - a second group of sopranos won't do. Beyond these practical caveats this is a score which deserves to be better-known and more often performed than it is, and choirs and orchestras should be encouraged to promote it widely. It is one of the most original choral. orchestral works of the first half of the twentieth century. Duration. Spring Symphony, complete. 45 minutes. Paul Spicer, Lichfield, 2011 Full of humour and high spirits - the entry of the cowhorn always raises a smile - it makes a wonderfully upbeat ending to this earthy work. The children's choir is given a starring role throughout this amazing movement, but nowhere more so than at Britten's inspired coup de théâtre where he brings in the well-known Sumer is icumen in at the end which crowns the sweepin.

Oversættelse

The Morning Star. fra Spring Symphony, Op. 44. SATB og klaver Reduction. Komponeret af Benjamin Britten. 1913-1976. For Choral. SATB. BH Secular Choral. 8 sider. Boosey & Hawkes #M051481903. Udgivet af Boosey. HL.48022502. ISBN 1480330442. 6.75x10.5 inches. Publisher. Boosey. Sværhedsgrad. The Spring Symphony blev bestilt af Koussevitzky Music Foundation og er dedikeret til Serge Koussevitzky og Boston Symphony Orchestra. Det var faktisk premiere på Concertgebouw, Amsterdam i juli 1949, før den amerikanske premiere den følgende måned på Tanglewood af dens dedicatees. Dette arbejde er en stor opgave fra alle synsvinkler. Det bruger et kæmpe orkester. komplet med ko horn, som skal ansættes specielt. , Et børnekor, som helt sikkert ikke behøver at være udelukkende består af drenge, tre solister, og en stor SATB kor, som er givet meget udfordrende og detaljeret musik at synge. Hvis nogen arbejde viser bagsiden af ​​Britten mønt fra Saint Nicolas det må være foråret Symphony. Here is a seriously intentioned, highly contemporary work for its time which nevertheless shows his predilection for anthologising texts, for creating amazing moments of levity - approaching the humorous episodes in his operas - and producing a score of such colour and vibrancy that the impression left on the mind is indelible. Trods bliver komponeret til en amerikansk ensemble og dirigent dette arbejde er indbegrebet af britisk. Digtene har stærke forbindelser med engelsk pastoral billedsprog og nogle er for evigt forbundet med indstillinger som madrigaler. Faktisk er denne madrigalian vægt bobler blidt under overfladen for meget af arbejdet, og peger op hvor Britten rødder virkelig lyve. Dette er et udfordrende arbejde på alle fronter og er en yderst kompleks sammensætning. Det er imidlertid særdeles performable af et kor af tilstrækkelig størrelse til at afbalancere stort orkester, og som kan stige til niveauet for opnåelsen Britten kræver. Det er også virkelig behøver en børne kor - og et børnekor, som kan synge med ægte tillid og projektion. De får en central rolle i dette arbejde. I virkeligheden 'forår' element så afgørende for hele konceptet understreges af unge sangere i 'forår' af deres liv. Dette har derfor at have en helt anden form for lydkvaliteten fra den vigtigste kor - en anden gruppe af sopranos vil ikke gøre. Beyond these practical caveats this is a score which deserves to be better-known and more often performed than it is, and choirs and orchestras should be encouraged to promote it widely. Det er en af ​​de mest originale kormusik. orkesterværker af den første halvdel af det tyvende århundrede. Varighed. Spring Symphony, complete. 45 minutter. Paul Spicer, Lichfield, 2011 Full of humour and high spirits - the entry of the cowhorn always raises a smile - it makes a wonderfully upbeat ending to this earthy work. The children's choir is given a starring role throughout this amazing movement, but nowhere more so than at Britten's inspired coup de théâtre where he brings in the well-known Sumer is icumen in at the end which crowns the sweepin.