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Original tekst

A Moorside Suite. Grade 4.

Oversættelse

En Moorside Suite. Grad 4.

Original tekst

A Moorside Suite composed by D. Wright. Arranged by Dennis Wright. For concert band. Piccolo, 1st Flute, 2nd Flute, Oboe, Eb Clarinet. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet. , Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon. , 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone. Band Music. Grade 4.5. Band score. Duration 15. 00. Published by C. Alan Publications. CN.S11013. A masterwork for concert band. Holst's Moorside Suite was composed in 1928, near the end of the composer's life, and is a masterpiece of his maturity. Originally for brass band, Moorside Suite retains the folk-song charm that is representative of Holst. A Moorside Suite is a masterpiece of Holst's maturity. Written in 1928, 6 years before his death, it achieves a synthesis of his creative talent as a composer with the strong folk-song influences of 20 years earlier. The title of the work alludes to a country setting but does not describe an exact location, and this is mirrored in the musical material. Folk-song influence is apparent but not overt. The work was originally for brass band, commissioned for the National Brass Band Championships held at the Crystal Palace, London, Englan. Denis Wright was a musical scholar, and the transcription was carried out either during Holst's lifetime or shortly after his death in 1934. The score was not published until 1983, and has been re-edited by Geoffrey Brand. Interestingly, Holst himself always intended the work to be transcribed for 'Military Band' and a 1st Movement and some bars of the 2nd Movement exist in manuscript in the British Library. The opening Scherzo belies the serious nature of the work. It is a light, airy 6. 8 in which the initial statement, with its all-important leap of a fifth, is first heard on clarinet and alto saxophone. This interval of a fifth is distilled, as if to draw our attention to it, before a fortissimo 8 bars in which the opening theme is repeated - the only fortissimo passage in the whole of the 1st movement. Holst achieves a 'folky,' almost modal, feel in the melody by allowing the 6th of the scale to remain natural. Whereas the 1st movement has a sylph-like delicacy, the second is at rest. Tranquil, especially in the beadth of the chorale, its simple key structure distills the tonal tension inherent in the tonic. dominant polarity. The oboe opening. again delineating the rising fifth of the first movement. is in F minor. a short cornet echo leads to C major for the first statement of the chorale. This leads back to F minor and a subtle development of the opening followed by the Chorale again this time in F minor and now allowed to build to a fortissimo climax before the movement fragments around the falling 6th of the opening. The peace is shattered by a triumphant March. We are in Bb minor again, and this movement is built on thematic contrasts. firstly the 'pesante' theme, then a hammered fanfare, followed by a playful leggiero tune. Like the Scherzo, this March has a Trio, the melody of which bears a definite resemblance to the Chorale of the 2nd movement. Most certainly, this linking device was subconscious on Holst's part, but with the predominant use of the interval of a fifth, it helps to explain the feeling that the Suite is thematically tightly-knit.

Oversættelse

En Moorside Suite komponeret af D. Wright. Arrangeret af Dennis Wright. For Harmoniorkester. Piccolo, 1. Fløjte, 2. fløjte, obo, Eb-klarinet. , 1. Bb klarinet, 2. Bb klarinet, 3. Bb klarinet, Eb Alto klarinet. , Bb Basklarinet, 1. fagot, 2. Fagot. , 1. Eb Altsaxofon, 2. Eb Altsaxofon, Bb Tenor Saxophone, Eb Baryton Saxofon. Band Music. Grade 4.5. Band score. Varighed 15. 00. Udgivet af C. Alan Publications. CN.S11013. Et mesterværk til koncert band. Holsts Moorside Suite blev komponeret i 1928, nær slutningen af ​​komponistens liv, og er et mesterværk af hans modenhed. Oprindeligt for brass band, Moorside Suite bevarer folkevise charme, der er repræsentativ for Holst. En Moorside Suite er et mesterværk af Holst modenhed. Skrevet i 1928, seks år før hans død, det opnår en syntese af hans kreative talent som komponist med de stærke folkevise påvirkninger af 20 år tidligere. Titlen på værket hentyder til et land indstilling, men beskriver ikke en nøjagtig position, og dette afspejles i det musikalske materiale. Folk-sang indflydelse er tydelig, men ikke åbenlys. Værket var oprindeligt for brass band, bestilt til National Brass Band Championships afholdt på Crystal Palace, London, Englan. Denis Wright var en musikalsk lærd, og transkription blev udført enten under Holst levetid eller kort tid efter hans død i 1934. Scoren blev ikke offentliggjort før 1983 og er blevet re-redigeret af Geoffrey Brand. Interessant Holst selv altid beregnet det arbejde, der skal omskrives til 'Military Band' og en 1st Movement og nogle barer i 2nd Movement findes i manuskript i British Library. Den åbning Scherzo modsiger den alvorlige karakter af det arbejde. Det er en lys, luftig 6. 8, i hvilken den oprindelige erklæring, med sin altafgørende spring af en femte, der først hørte på klarinet og altsaxofon. Dette interval på en femtedel er destilleret, som om at henlede vores opmærksomhed på det, før en Fortissimo 8 bar, hvor åbningen tema gentages - den eneste fortissimo passage i hele 1. sats. Holst opnår en 'folky, »næsten modal, føler i melodien ved at tillade den 6. skalaen til at forblive naturlig. Mens 1. sats har en sylfide-lignende delikatesse, den anden er i hvile. Rolige, især i beadth af koral, dens enkle taststrukturen destillerer tonale spænding forbundet med tonic. dominerende polaritet. Obo åbning. igen afgrænse den stigende femtedel af den første bevægelse. er i f-mol. en kort cornet ekko fører til C-dur for den første meddelelse af koralen. Dette fører tilbage til f-mol og en subtil udvikling af åbningen efterfulgt af Chorale igen, denne gang i f-mol og nu lov til at bygge til et fortissimo klimaks før bevægelse fragmenter omkring faldende 6. åbningen. Freden er knust af en triumferende marts. Vi er i Bb mindre igen, og denne bevægelse er bygget på tematiske kontraster. det første den 'pesante' tema, så en hamret fanfare, efterfulgt af en legende leggiero melodi. Ligesom Scherzo, denne marts har en Trio, melodi, som bærer en konkret lighed med Chorale af 2. sats. Helt sikkert, dette koblingsbeslag var underbevidsthed på Holst side, men med den fremherskende brug af intervallet af en femte, det hjælper til at forklare følelsen af, at Suite er tematisk tæt sammentømret.