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Century Variants. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Grade 4.

Oversættelse

Century Varianter. David Gillingham. B-Flat Trumpet noder. Horn noder. Grad 4.

Original tekst

Century Variants composed by David Gillingham. Arranged by Michael Brand. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1. 2 , Bassoon 1. 2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1. 2, Horn in F 3. Band Music. Grade 4. Score only. Duration 8. 00. Published by C. Alan Publications. CN.15711. Based on the primary melody of Gillingham's work, New Century Dawn, this composition is designed to be quite versatile. It is a set of variations which can introduce the symphonic band to the layman or to young children contemplating playing a band instrument. For example, the high school band director could play this piece with the added optional narration. see notes. for the local grade school children for the purpose of recruitment. Or, the piece could be used at a concert to introduce the band to parents and people of the community. If choosing not to use the narration, the piece will stand as a concert work to be featured on any high school or university program. Century Variants was commissioned by David Knox of banddirector. com. The project was very unique in that band directors and musicians could have sneak peaks of the composition as it developed via this website. Actual FINALE files and videos explaining the composition as it developed. The composition is dedicated to Dr. Peter Boonshaft, Director of Bands at Hofstra University, for it was Peter who urged me to write a set of variations based on the primary melody of my work, New Century Dawn, written in 2000. The composition is designed to be quite versatile, in that it is a set of variations which can introduce the symphonic band to the layman or to young children contemplating playing a band instrument. For example, the high school band director could play this piece with the added optional narration. see below. for the local grade school children for the purpose of recruitment. Or, the piece could be used at a concert to introduce the band to parents and people of the community. If choosing not to use the narration, the piece will stand as a concert work to be featured on any high school or university program. The details of the structure of the piece are revealed in the Optional Narration below. Measure 14. Welcome to the world of the Symphonic Band, a large ensemble comprised of woodwind, brass and percussion instruments. To help you hear the various components and colors of this ensemble, you are going to hear a theme followed by six variations. First, we will hear the theme played by the combined forces of the entire ensemble. Measure 40. Variation I features the backbone of the band, the percussion section. The percussion section features plethora of pitched and indefinite pitched instruments that are used to support the rhythmic, harmonic, and melodic parameters of the music as well as provide their own color. In order of appearance, we will hear the timpani, xylophone, vibraphone, tubular bells, orchestra bells, marimba, snare drum and hi-hat. Measure 69. Variations II and III feature the versatile woodwinds comprised of piccolo, flutes, oboes, bassoons, Bb Clarinets, Bass Clarinet and the saxophones. Variation II begins with the fluttery piccolo and flutes over all clarinets playing the theme, followed by a variants by the oboes and bassoons, then saxophones and culminating with all woodwinds. Variation III is another variant beginning with all woodwinds followed by flutes accompanying the saxophones and again ending with all woodwinds. Measure 159. In true form, the brass have interrupted the end of Variation III, announcing the coming of Variations IV, V, and VI that showcase the brass section. Variation IV has the distinction of having the slowest tempo of the entire composition and features the warm and lyrical quality of the horn section. This is followed by Variation V which quickly changes to a faster tempo and touts the dramatic and aggressive sound of the low brass comprised of trombones, euphoniums and tubas. Topping off the brass section are the trumpets that play joyfully and fanfare-like in Variation VI. The variation ends with a full band rendition. Measure 242. In conclusion, all sections will be recapped in a sort of parade of instruments. Over a continuous ostinato by the hi-hat we will hear timpani, temple blocks, tubular bells, orchestra bells, vibraphone, oboes, bassoons, clarinets, saxophones, flutes, piccolo, horns, trombones, euphoniums, tubas, and trumpets, all leading to a grand finale.

Oversættelse

Century Varianter komponeret af David Gillingham. Arrangeret af Michael Brand. For Harmoniorkester. Piccolo, Fløjte 1, Fløjte 2 Obo 1. 2, Fagot 1. 2, Klarinet i Bb 1, Klarinet i Bb 2, Klarinet i Bb 3, Basklarinet, Altsaxofon 1. 2, Tenorsaxofon, Baryton saxofon, trompet i Bb 1, trompet i Bb 2, trompet i Bb 3, Horn i F 1. 2, Horn i F 3. Band Music. Grad 4. Score kun. Varighed 8. 00. Udgivet af C. Alan Publications. CN.15711. Baseret på den primære melodi af Gillingham arbejde, New Century Dawn, er denne sammensætning designet til at være meget alsidig. Det er et sæt af variationer, som kan introducere det symfoniske bandet til lægmand eller for små børn, der overvejer at spille et band instrument. For eksempel kunne den high school band direktør spille dette stykke med den ekstra valgfri indtaling. se noter. for den lokale kvalitet skolebørn med henblik på ansættelse. Eller kunne det stykke kan anvendes ved en koncert for at introducere bandet til forældre og folk i lokalsamfundet. Hvis du vælger ikke at bruge fortælling, vil det stykke stå som en koncert arbejde at blive præsenteret på en high school eller universitet program. Century Varianter blev bestilt af David Knox af banddirector. com. Projektet var meget entydigt i dette bånd direktører og musikere kunne have snige toppe af sammensætningen som det udviklede sig via denne hjemmeside. Faktiske FINALE filer og videoer forklarer sammensætningen som den udviklede sig. Sammensætningen er dedikeret til Dr. Peter Boonshaft, direktør for Bands på Hofstra University, for det var Peter, som opfordrede mig til at skrive et sæt af variationer baseret på den primære melodi af mit arbejde, New Century Dawn, skrevet i 2000. Sammensætningen er designet til at være meget alsidig, idet det er et sæt af variationer, som kan introducere det symfoniske bandet til lægmand eller for små børn, der overvejer at spille et band instrument. For eksempel kunne den high school band direktør spille dette stykke med den ekstra valgfri indtaling. se nedenfor. for den lokale kvalitet skolebørn med henblik på ansættelse. Eller kunne det stykke kan anvendes ved en koncert for at introducere bandet til forældre og folk i lokalsamfundet. Hvis du vælger ikke at bruge fortælling, vil det stykke stå som en koncert arbejde at blive præsenteret på en high school eller universitet program. Detaljerne af strukturen i det stykke er afsløret i den valgfri Fortælling nedenfor. Foranstaltning 14. Velkommen til en verden af ​​Symfonisk Band, et stort ensemble bestående af træblæsere, messing og slagtøj. For at hjælpe dig med at høre de forskellige komponenter og farver i denne ensemble, vil du høre et tema efterfulgt af seks varianter. Først vil vi høre tema ved de kombinerede kræfter i hele ensemblet spiller. Foranstaltning 40. Variation I har rygraden i bandet, den percussion sektion. Den percussion sektion indeholder overflod af skrå og ubestemt slog instrumenter, der anvendes til at understøtte de rytmiske, harmoniske og melodiske musikkens parametre samt give deres egen farve. I rækkefølge efter udseende, vil vi høre pauker, xylofon, vibrafon, rørformede klokker, orkester klokker, marimba, lilletromme og hi-hat. Foranstaltning 69. Variationer II og III er udstyret med den alsidige træblæsere består af Piccolo, fløjter, oboer, fagotter, Bb klarinetter, Basklarinet og saxofoner. Variation II begynder med fluttery piccolo og fløjter for alle klarinetter spiller temaet, efterfulgt af et varianter af oboer og fagotter, derefter saxofoner og kulminerede med alle træblæsere. Variation III er en anden variant, der begynder med alle Træblæserne efterfulgt af fløjter ledsager saxofoner og igen slutter med alle Træblæserne. Foranstaltning 159. I sande form, har messing afbrudt i slutningen af ​​Variation III, bebuder den kommende Variations IV, V og VI som udstillingsvindue messing sektion. Variation IV har sondringen for at have den langsomste tempo hele sammensætningen og har den varme og lyriske kvalitet af horn sektion. Dette efterfølges af Variation V, som ændrer sig hurtigt til en hurtigere tempo og billethajer dramatisk og aggressive lyden af ​​lav messing bestående af Basuner, Euphonier og tubas. Topping fra messing sektion er trompeterne, der spiller glad og fanfare-lignende Variation VI. Variationen slutter med en fuld band gengivelse. Foranstaltning 242. Afslutningsvis vil alle sektioner recapped i en slags parade af instrumenter. Over en kontinuerlig ostinat af hi-hat vi vil høre pauker, tempel blokke, rørklokker Orkester klokker, vibrafon, Oboer, Fagotter, klarinetter, saxofoner, fløjter, Piccolo, horn, Basuner, Euphonier, tubaer, og trompeter, alle førende til en grand finale.