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Original tekst

Fantasy Triptych. Derek Bourgeois. B-Flat Trumpet sheet music. Cornet sheet music. Horn sheet music. Grade 5.

Oversættelse

Fantasy Triptych. Derek Bourgeois. B-Flat Trumpet noder. Cornet noder. Horn noder. Grade 5.

Original tekst

Fantasy Triptych composed by Derek Bourgeois. 1941-. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1. 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1. 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2. 3, Bb Trumpet 1. 2, Horn in F. Band Music. Grade 5.5. Score and parts. Duration 17. 40. Published by C. Alan Publications. CN.R10193. With inspiration taken from composers Maurice Ravel, Arthur Benjamin and Charles Ives, Bourgeois take s a tongue-in-cheek approach to this challenging 3-movement work. While the work is infused with humor throughout, it still showcases his mastery of the wind band idiom. In 1972, I wrote a Sonata for Two Pianos for two friends who were piano teachers at Wellington College. When in 1995 I was asked to write a work for wind band, I returned to this Sonata and have re-arranged and in the new version renamed it "Fantasy Triptych. " There are three movements. Le Tombeau d'Arthur Benjamin Ravel wrote 'Le Tombeau de Couperin,' Arthur Benjamin wrote 'Le Tombeau de Ravel' and so the temptation to write 'Le Tombeau d'Arthur Benjamin' was overwhelming. At the end of the movement there is an oblique reference to Benjamin's own 'Jamaican Rumba' which accompanies a quote from an old Spanish folk song 'Loro, enciende el hervidor de agua. ' 2. Mr. Bolt goes for a ride in his motor car, and Monsieur Ravel turns in his grave. The movement is dedicated to an old friend, Geoffrey Bolt, who adores the music of Ravel. but at the time of writing was learning to drive. He always described his vehicle as a motor car. To describe him as an impatient motorist would be a gross understatement. The refined suavity of Ravel's music was in complete contrast to these early manifestations of road rage, hence the central angry outburst. The War March of the Ostriches The music of Charles Ives was fascinating me at the time of writing this movement and some of the influence has rubbed off in this rondo-like march. At the end there is a quote from the very beginning of the first movement.

Oversættelse

Fantasy Triptych komponeret af Derek Bourgeois. 1941 -. For Harmoniorkester. Piccolo, Fløjte 1, Fløjte 2 Obo 1. 2, Eb Klarinet, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, Eb Alto Klarinet, Bb Basklarinet, Fagot 1. 2, Altsaxofon 1. 2, Tenorsaxofon, Baryton Saxofon, Bb Cornet 1 Bb Cornet 2. 3, Bb Trompet 1. 2, Horn i F. Band Music. Grade 5.5. Partitur og stemmer. Varighed 17. 40. Udgivet af C. Alan Publications. CN.R10193. Med inspiration fra komponister Maurice Ravel, Arthur Benjamin og Charles Ives, Bourgeois tage sa tungen-i-kinden tilgang til dette udfordrende 3-bevægelse arbejde. Mens arbejdet er gennemsyret af humor hele vejen igennem, er det stadig showcases hans beherskelse af blæseorkester formsprog. I 1972 skrev jeg en Sonate for to klaverer til to venner, der var klaver lærere på Wellington College. Når i 1995 blev jeg bedt om at skrive et værk for vind band, jeg vendte tilbage til dette Sonata og har re-arrangeret og i den nye version omdøbte det "Fantasy Triptych. "Der er tre bevægelser. Le Tombeau d'Arthur Benjamin Ravel skrev 'Le Tombeau de Couperin,' Arthur Benjamin skrev 'Le Tombeau de Ravel ", og så fristelsen til at skrive' Le Tombeau d'Arthur Benjamin 'var overvældende. Ved slutningen af ​​bevægelsen er der en skrå henvisning til Benjamins egen 'Jamaican Rumba', som ledsager et citat fra en gammel spansk folkesang 'Loro, enciende el hervidor de agua. «2.. Mr. Bolt går en tur i sin automobil, og Monsieur Ravel vender sig i sin grav. Bevægelsen er dedikeret til en gammel ven, Geoffrey Bolt, der elsker musik af Ravel. men i skrivende stund var at lære at køre. Han beskrev altid hans køretøj som en bil. At beskrive ham som en utålmodig bilist ville være en grov underdrivelse. Den raffinerede Suavity af Ravels musik var i fuldstændig kontrast til disse tidlige manifestationer af gadeoptøjer, dermed centrale vrede udbrud. The War marts strudse Musik af Charles Ives var fascinerende mig på det tidspunkt at skrive denne bevægelse, og nogle af den indflydelse har gnides i denne rondo-lignende march. I slutningen er der et citat fra begyndelsen af ​​den første bevægelse.