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Original tekst

Dissolve. Dan Adams. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Advanced.

Oversættelse

Opløs. Dan Adams. Marimba noder. Percussion noder. Vibrafon noder. Avanceret.

Original tekst

Dissolve composed by Dan Adams. Percussion Ensemble. For Percussion Ensemble. Percussion 1. 4-octave marimba, cowbell. , Percussion 2. 4-octave marimba, claves. , Percussion 3. 4-octave marimba, woodblock. , Percussion 4. 4.3-octave marimba, bass drum. , Percussion 5. 3-octave vibraphone, 3 suspended cymbals. , Percussion 6. temple bloc. Medium difficult. Score and parts. Duration 6. 00. Published by C. Alan Publications. CN.05920. Inspired by cinemagraphic techniques in which one image is gradually transformed into another, this work allows resonant sounds to dissolve according to their natural acoustical decay. Sustained sounds dissolve into percussive passages and definitely pitched sonorities dissolve into the sounds of indefinitely pitched instruments. The title of "Dissolve" refers both to the literal definition of the term, a separation of an entity into its constituent parts, and to a cinemagraphic technique in which one image is gradually transformed into another. Resonant sounds dissolve according to their natural acoustical decay. Sustained sounds dissolve into percussive passages and definitely pitched sonorities dissolve into the sounds of indefinitely pitched instruments. Homophonic and polyphonic textures dissolve into one another. "Dissolve" is composed in a three section form that resembles ternary or rounded binary but is neither, as the three sections are distinguished mostly by timbre, texture, and the relationship between definite and indefinite pitch. The first section consists of mostly long sustained notes. The second, third, and fourth marimbas begin the piece entering one by one with rolls on the 12 notes of the chromatic scale spread throughout the marimba's register. The marimbas are accompanied by resonant sounds played on the indefinitely pitched metal instruments. The first marimba articulates the same notes that are played as rolls by the other three marimbas, facilitating the transition to middle section. Two alternating chords played on the vibraphone complete the transition to the more rhythmically active middle section, which is dominated by indefinitely pitched wood, metal, and membrane instruments. This section is characterized by a faster tempo and more complex rhythmic counterpoint. Indefinitely-pitched counterpoint between the tom-toms and temple blocks are juxtaposed against a collage of repeated notes on the cowbell, claves, and bass drum Playing a six note motive, the vibraphone part again signals a transition, this time to the final section. It is based on polyrhythmic counterpoint between the vibraphone, crotales, and bells with the marimba rolls from the opening section serving as a backdrop.

Oversættelse

Dissolve composed by Dan Adams. Percussion Ensemble. For Percussion Ensemble. Percussion 1. 4-oktav marimba, koklokke. , Slagtøj 2. 4-oktav marimba, claves. , Slagtøj 3. 4-oktav marimba, træblok. , Slagtøj 4. 4.3-oktav marimba, stortromme. , Slagtøj 5. 3-oktav vibrafon, 3 suspenderede bækkener. , Slagtøj 6. temple bloc. Medium svært. Partitur og stemmer. Varighed 6. 00. Udgivet af C. Alan Publications. CN.05920. Inspireret af cinemagraphic teknikker, hvor ét billede gradvist omdannes til en anden, dette arbejde giver resonante lyde at opløse efter deres naturlige akustisk forfald. Vedvarende lyde opløses i percussive passager og definitivt slog klanglige opløses i lyden af ​​uendelige slog instrumenter. Titlen "Opløs" refererer både til den bogstavelige definition af begrebet, en adskillelse af en enhed i dens bestanddele, og til en cinemagraphic teknik, hvor ét billede gradvist omdannes til et andet. Resonant lyde opløses efter deres naturlige akustisk forfald. Vedvarende lyde opløses i percussive passager og definitivt slog klanglige opløses i lyden af ​​uendelige slog instrumenter. Homophonic og polyfoniske teksturer opløses i hinanden. "Opløs" består i en tre afsnit form, der ligner tredelt eller afrundet binære men hverken, da de tre sektioner adskiller det meste af klangfarve, tekstur, og forholdet mellem konkret og ubestemt beg. Den første sektion består af det meste lang vedvarende noter. Det andet, tredje og fjerde Marimbas begynder stykket ind én efter én med ruller på de 12 toner i den kromatiske skala spredt over hele marimba register. De Marimbas ledsages af resonante lyde spillet på ubestemt tid slog metal instrumenter. Den første marimba formulerer de samme toner, der spilles som ruller af de tre andre Marimbas, lette overgangen til midterste sektion. To skiftende akkorder spillet på vibrafon fuldføre omstillingen til mere rytmisk aktive midtersektion, som er domineret af det uendelige slog træ, metal og membran instrumenter. Dette afsnit er karakteriseret ved en hurtigere tempo og mere komplekse rytmiske kontrapunkt. Uendeligt-sat kontrapunkt mellem tom-toms og Temple blokke er sammenstillet mod en collage af gentagne noter på koklokke, claves, og stortromme Afspilning af seks note motiv, vibrafon del igen signalerer en overgang, denne gang til det sidste afsnit. Det er baseret på polyrytmiske kontrapunkt mellem vibrafon, crotales, og klokker med marimba ruller fra afsnittet åbningen tjener som en kulisse.