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Original tekst

Sails of Time. David Gillingham. B-Flat Trumpet sheet music. Bass Trombone sheet music. Horn sheet music. Grade 5.

Oversættelse

Sails of Time. David Gillingham. B-Flat Trumpet noder. Bass Trombone noder. Horn noder. Grade 5.

Original tekst

Sails of Time composed by David Gillingham. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon 1. 2, Clarinet in Bb 1, Clarinet in Bb 2. 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2. 3, Horn in F 1. 2, Horn in F 3. 4, Trombone 1. 2, Bass Trombone, Euphoni. Band Music. Grade 5. Score only. Duration 10. 00. Published by C. Alan Publications. CN.13041. Gillingham provides a celebration of the rich history of Sydney, Australia, while honoring the beauty and grandeur of this magnificent city identified by the icon of the sails of its famous Opera House. Incorporating native folksong, indigenous sounds and melodies combined with original material, a sculpture in sound emerges in Sails of Time. Originally conceived for a mass band setting consisting of three separate ensembles, the work is suited to a traditional setting using one ensemble. Sails of Time was commissioned by Kingsway International and was written to celebrate the rich history of Sydney, Australia, and to honor the beauty of grandeur of this magnificent city identified by the icon of the sails of its famous Opera House. The work is bound together by two main melodic ideas consisting of the Australian folksong, Click Go the Shears, and an original theme, Sails of Time, after the title. The work begins with the tolling of the "bells of time" followed by a drone of the "didgeridoo" played by the tubas, representing the indigenous aboriginal people who fished the waters of the Sydney harbor for 50,000 years prior to its settlement. Above the drone, a distant solo piccolo and muted trumpet play phrases from the popular Australian folksong, Click Go the Shears. Woodwind trills along with a piano ostinato announce the arrival of British convicts in 1788. Low brass and woodwinds play the folksong, Bound for South Australia, ominously in Bb minor. This is followed by a "Prisoner Walk", emulating the monotonous daily routine of the prisoners who were the first inhabitants of Sydney. They sing a blues-like tune to break the monotony as they shuffle along in shackled feet. Listen for the constant clash of the chain. The section escalates to a conclusion and segues into gentle breezes of keyboard percussion and rustling flutes leading to the first presentation of the Sails of Time theme played by horns, alto saxophones and oboes. The theme represents the hope for a much brighter future for the fledging settlement of Sydney. The section settles down to stillness and a distant piccolo and muted trumpet again play motives from Click Go the Shears. A vibrant percussive interlude leads to a presentation of Click Go the Shears by piccolo and bass clarinet followed by echoing of motives between the ensembles within the massed band. The "growing pains" of Sydney are reflected by a sequence of motives from the Sails of Time theme which rise to a pinnacle in C major by the massed band only to be interrupted by a mournful section in F# minor. In this section, one is reminded of the "unruly society" in the early years of the city of Sydney. An oboe solo sorrowfully sings the tale on a motive extracted from the Sails of Time. Cascading woodwinds and keyboard percussion interrupt and, once again, provide hope to the negative situation and grow to a fugal exposition on the theme from Click Go the Shears. The sure-footed counterpoint and energy evidence the city's "gold and growth" era. The section segues to a sparkling and energetic percussion interlude which transitions to a joyful rendition of the Sails of Time accompanied by the driving rhythm Click Go the Shears. The "bells of time" interrupt to remind one of the city's roots with the drone of the didgeridoo. Distant solo piccolo and muted trumpet echo motives of Click Go the Shears one last time. The work ends triumphantly with a final statement by both themes. Sails of Time was written to be performed as a massed band divided into three ensembles, premiered in the Sydney Opera House in Sydney, Australia. However, the work can be easily performed by one concert band. The massed band set up is pictured above where Ensemble 1 is on the main stage and Ensemble 2 and Ensemble 3 are positioned to the right and left of the stage, respectively. This set up enables a sort of antiphonal effect between the participating ensembles. All of the percussion should be set up on stage with Ensemble 1. Because there will be multiple percussion players, it is suggested that the duties be divided evenly between the players for the performance. The score and parts indicate which ensembles play throughout the piece and where the "massed band" is to play. There are two off-stage players required for this work. piccolo. back stage left. and trumpet. back stage right.

Oversættelse

Sails of Time komponeret af David Gillingham. For Harmoniorkester. Piccolo, Fløjte 1. 2, obo 1. 2, Fagot 1. 2, Klarinet i Bb 1, Klarinet i Bb 2. 3, Basklarinet, Altsaxofon 1. 2, Tenorsaxofon, Baryton saxofon, trompet i Bb 1, trompet i Bb 2. 3, Horn i F 1. 2, Horn i F 3. 4, Basun 1. 2, Bass Trombone, Euphoni. Band Music. Grade 5. Score kun. Varighed 10. 00. Udgivet af C. Alan Publications. CN.13041. Gillingham giver en fejring af den rige historie i Sydney, Australien, mens ære skønhed og storhed af denne pragtfulde by identificeres af ikonet af sejlene på sin berømte operahus. Omfattende native folkesang, oprindelige lyde og melodier kombineret med originale materiale, en skulptur i lyd opstår i Sails of Time. Oprindeligt var udtænkt til et masse band indstilling bestående af tre separate ensembler, arbejdet er velegnet til en traditionel indstilling ved hjælp af en ensemble. Sails of Time blev bestilt af Kingsway International og blev skrevet for at fejre den rige historie i Sydney, Australien, og at ære skønheden i storhed denne pragtfulde by identificeres af ikonet af sejlene på sin berømte operahus. Arbejdet er bundet sammen af ​​to melodiske idéer, der består af det australske folkesang Klik på Gå for Shears, og en original tema, Sejl of Time, efter titlen. Arbejdet begynder med vejafgiftsordningens af "klokker af tid" efterfulgt af en drone af "didgeridoo" af tubaer spiller, der repræsenterer de indfødte oprindelige folk, der fiskede vandet i Sydney harbour 50.000 år forud for afviklingen. Over drone, en fjern solo piccolo og dæmpet trompet spille sætninger fra den populære australske folkesang, klik på Gå saksen. Træblæsere triller sammen med et klaver ostinato annoncere ankomsten af ​​britiske straffefanger i 1788. Lav messing og træblæsere spiller folkesang, på vej til South Australia, ildevarslende i Bb minor. Dette efterfølges af en "Prisoner Walk", efterligne den monotone daglige rutine af fangerne, der var de første indbyggere i Sydney. De synger en blues-lignende melodi til at bryde monotonien, da de shuffle sammen i Hæmmet fødder. Lyt til den konstante sammenstød af kæden. Afsnittet eskalerer til en konklusion og segues i blid brise af tastaturet slagtøj og raslende fløjter, der fører til den første præsentation af sejlene på Time tema ved hornene, alto saxofoner og oboer spillet. Temaet er håbet om en meget lysere fremtid for fledging afvikling af Sydney. Afsnittet lægger sig ned til stilhed og en fjern piccolo og dæmpet trompet igen spille motiver fra Click Gå saksen. Et levende percussive mellemspil fører til en præsentation af Click Go saksen ved piccolo og bas klarinet efterfulgt af ekko af motiver mellem ensembler inden for bliver samlet bånd. De "vokseværk" af Sydney afspejles ved en sekvens af motiver fra Sails of Time tema, som stige til et højdepunkt i C-dur af den bliver samlet bandet kun at blive afbrudt af en sørgmodige sektion i F # minor. I dette afsnit er en mindet om "uregerlige samfund" i de tidlige år af byen Sydney. En obo solo bedrøvet synger fortællingen om et motiv udvundet af Sails of Time. Cascading træblæsere og tastatur percussion interrupt og endnu en gang, giver håb til den negative situation og vokse til en fugal redegørelse om emnet fra Click Go saksen. Den sure-footed kontrapunkt og energi beviser byens "guld og vækst" æra. Afsnittet segues til en sprudlende og energisk percussion mellemspil som overgange til en glædelig gengivelse af sejlene på Time ledsaget af drivende rytme Klik Go saksen. De "klokker tid" afbryde at minde en af ​​byens rødder med drone af didgeridoo. Distant solo Piccolo og dæmpet trompet ekko motiver Click Gå saksen en sidste gang. Arbejdet slutter triumferende med en endelig opgørelse af begge temaer. Sails of Time blev skrevet, der skal udføres som en stor samling bånd opdelt i tre ensembler, premiere i Sydney Opera House i Sydney, Australien. Imidlertid kan arbejde nemt udføres af en koncert band. Det bliver samlet band oprettet er afbilledet ovenfor, hvor Ensemble 1 er den vigtigste etape og ensemble 2 og Ensemble 3 er placeret til højre og venstre for scenen, henholdsvis. Denne opsætning giver en slags antiphonal virkning mellem de deltagende ensembler. Alle slagtøj bør oprettes på scenen med Ensemble 1. Fordi der vil være flere percussion-afspillere, foreslås det, at tolden deles ligeligt mellem spillerne for udførelsen. Scoren og dele angiver, hvilke ensembler spille hele stykket, og hvor "bliver samlet band" er at spille. Der er to off-trins-afspillere, der er nødvendige for dette arbejde. lille. bag scenen til venstre. og trompet. back scenen lige.