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Original tekst

The One I Love Belongs to Somebody Else. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Oversættelse

The One I Love Belongs to Somebody Else. Guitar noder. B-Flat Trumpet noder. Drums noder. Percussion noder. Klaver Noder. Trombone noder. Avanceret.

Original tekst

The One I Love Belongs to Somebody Else by The Jimmie Lunceford Big Band. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Tadd Dameron. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 3 Trumpets, 3 Trombones, Guitar, Piano, Bass, Drums. Written for the Jimmie Lunceford Orchestra. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8883. Tadd Dameron was one of the most influential composer. arrangers in American music. Born in 1917, he wrote for bands led by Jimmie Lunceford, Count Basie, Billy Eckstine. many original compositions later performed by the Dizzy Gillespie Orchestra were originally written for Eckstine. , Ted Heath and Tommy Dorsey. He also arranged for Sarah Vaughan, Pearl Bailey and the underrated Kay Penton. Dameron led various groups for live gigs and recordings, and the musicians he played with constituted a who's who of jazz. At one time or another his ensembles included Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, J.J. Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane and Clifford Brown. This arrangement of the Isham Jones. Gus Kahn standard was most likely written in 1942 as at that time Tadd Dameron was writing for the Jimmie Lunceford Orchestra. The arrangement was never recorded, but, due to the wear on the parts, it was clearly performed live on numerous occasions. It is not entirely clear as to why the arrangement wasn't recorded, though it is possible that the reason is that it was written during the recording ban. The next time the Lunceford ensemble would be in the studio for a recording date wasn't until February 1944 - almost two years after this arrangement was most likely written. Dameron crafted a swinging, interesting take on the standard. The trombone section states the melody for the first chorus with nice ensemble hits and backgrounds. The arrangement moves through three key centers. G, Eb, and Gb. While there are no lengthy solos. tenor sax has a 4-bar cameo solo. , there is a great 1. 2 chorus saxophone soli. This arrangement should appeal to medium level groups as the ranges are modest. Ranges. Trumpet 1. to C6. Trombone 1.

Oversættelse

The One I Love Belongs to Somebody Else by The Jimmie Lunceford Big Band. Redigeret af Jeffrey Sultanof og Rob Duboff. Arrangeret af Tadd Dameron. For big band. 2 Alto saxofoner, 2 Tenor Saxophones, Baryton Saxofon, 3 trompeter, 3 basuner, guitar, klaver, bas, trommer. Written for the Jimmie Lunceford Orchestra. Swing. Medium Svær. Partitur og stemmer. Udgivet af Jazz Lines Publications. JL.JLP-8883. Tadd Dameron var en af ​​de mest indflydelsesrige komponist. arrangører i amerikansk musik. Født i 1917, han skrev for bands ledet af Jimmie Lunceford, Count Basie, Billy Eckstine. mange originale kompositioner senere udført af Dizzy Gillespie Orchestra blev oprindeligt skrevet til Eckstine. Ted Heath og Tommy Dorsey. Han sørgede også for Sarah Vaughan, Pearl Bailey og den undervurderede Kay Penton. Dameron førte forskellige grupper, for levende koncerter og indspilninger, og musikerne, han spillede med udgjorde en hvem er hvem af jazz. På et eller andet tidspunkt inkluderede hans ensembler Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, JJ Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane og Clifford Brown. This arrangement of the Isham Jones. Gus Kahn standard was most likely written in 1942 as at that time Tadd Dameron was writing for the Jimmie Lunceford Orchestra. The arrangement was never recorded, but, due to the wear on the parts, it was clearly performed live on numerous occasions. It is not entirely clear as to why the arrangement wasn't recorded, though it is possible that the reason is that it was written during the recording ban. The next time the Lunceford ensemble would be in the studio for a recording date wasn't until February 1944 - almost two years after this arrangement was most likely written. Dameron crafted a swinging, interesting take on the standard. The trombone section states the melody for the first chorus with nice ensemble hits and backgrounds. The arrangement moves through three key centers. G, Eb, and Gb. While there are no lengthy solos. tenor sax has a 4-bar cameo solo. , there is a great 1. 2 chorus saxophone soli. This arrangement should appeal to medium level groups as the ranges are modest. Ranges. Trompet 1. til C6. Trombone 1.