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Original tekst

Benjamin Britten. Te Deum In C - Treble. Soprano. SATB. Organ. Sheet Music. Soprano, SATB, Organ Accompaniment. SOP. SATB. ORGA. Benjamin Britten.

Oversættelse

Benjamin Britten. Te Deum i C - Treble. Soprano. SATB. Organ. Noder. Soprano, SATB, Organ Accompaniment. SOP. SATB. ORGA. Benjamin Britten.

Original tekst

If ordering more than 10 copies, please call us on 44. 1284 725725 to check availability. Britten's Te Deum In C is arranged for Treble. Soprano. solo, SATB choir and Organ accompaniment. In preparing for publication the 1935 orchestral version of Britten's Te Deum in C, it became clear that there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor. different articulation and dynamic markings, something Britten was later very fussy about, but perhaps left unchanged on proof because of his relative inexperience at this stage of his career with the processes of music publishing. Others were more important. wrong pedal notes, for example, which Britten failed to notice on proof, and which have been perpetuated in performances and recordings for nearly seventy years. These have been corrected in the new edition of the vocal score and in the orchestral score. Britten clearly used the published vocal score to prepare his orchestral version. The two versions have been made consistent in other details - rehearsal cues and bar numbers, for example - since Britten intended choristers to use the vocal score to perform the orchestral version. This would have been an easy task, for these is little discrepancy in essential details between versions. a rare departure occurs in bars 53 to 56, where the works 'Lord God of Sabaoth' are unaccompanied in the orchestral version, but doubled by Organ in the original. Sustained Organ chords are often filled out with arpeggiated string writing, while the spacing of chords is frequently much wider in the string version, with melodies transposed into different octaves. Although harmony in both versions is identical, voice leading is sometimes altered in the latter to make it better suited to the idioms of the instruments concerned. So, although in essence the two versions are the same, the soundworld explored in each is quite distinct. Britten's orchestral version should neither be viewed as an occasional piece nor considered solely a liturgical work, like many of his choral pieces from the 1930s and 1940s, it is equally at home in church and concert hall.

Oversættelse

Hvis du bestiller mere end 10 eksemplarer, bedes du ringe til os på 44. 1284 725725 for at tjekke ledighed. Britten's Te Deum In C is arranged for Treble. Soprano. solo, SATB choir and Organ accompaniment. Under forberedelsen til offentliggørelse 1935 orkestrale version af Brittens Te Deum i C, blev det klart, at der var en række uoverensstemmelser mellem manuskriptet og den oprindelige 193 Korpartitur. Nogle af disse var mindre. forskellige artikulation og dynamiske markeringer, noget Britten var senere meget nøjeregnende om, men måske uændret på bevis på grund af hans relative uerfarenhed på dette tidspunkt af sin karriere med de processer af musikudgivelse. Andre var vigtigere. forkerte pedal noter, for eksempel, som Britten ikke varsel om bevis, og som er blevet foreviget i forestillinger og optagelser i næsten 70 år. Disse er blevet rettet i den nye udgave af Korpartitur og i orkesterpartitur. Britten klart anvendes den offentliggjorte Korpartitur at forberede sit orkester udgave. De to versioner er blevet bragt i overensstemmelse med andre detaljer - øvelse stikord og bar tal, for eksempel - da Britten bestemt korsangere at bruge Korpartitur at udføre orkester udgave. Dette ville have været en nem opgave, for disse er lidt forskel i væsentlige detaljer mellem versioner. en sjælden afgang sker i stænger 53-56, hvor værkernes Herre Gud Zebaoth 'er uledsaget i orkestral version, men fordoblet ved orgel i den oprindelige. Vedvarende Organ akkorder er ofte fyldt med arpeggiated snor skriftligt mens afstanden mellem akkorder er ofte meget bredere i strengen versionen, med melodier gennemført i forskellige oktaver. Selv harmoni i begge versioner er identisk, at stemme fører undertiden ændret i sidstnævnte gør det bedre egnet til de idiomer af de pågældende instrumenter. Så selvom i det væsentlige de to versioner er den samme, soundworld udforsket i hver er helt adskilt. Brittens orkester udgave bør hverken ses som en lejlighedsvis stykke heller betragtes udelukkende en liturgisk værk, ligesom mange af hans korsatser fra 1930'erne og 1940'erne, det er lige hjemme i kirken og koncertsal.