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Original tekst

Edward Gregson. Tributes. Clarinet And Piano. Sheet Music. Clarinet. Piano Accompaniment. CLT. PFA. Edward Gregson.

Oversættelse

Edward Gregson. Hyldester. Klarinet og klaver. Noder. Klarinet. Klaverakkompagnement. CLT. PFA. Edward Gregson.

Original tekst

Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist. with whom Gregson had long musical associations. Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows. To Francis Poulenc. for Emma Johnson. – a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi. for John Bradbury. – slow and lyrical with long melodic arches. To Igor Stravinsky. for Linda Merrick. – asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen. for Nicholas Cox. – based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók. for Michael Collins. – the most virtuoso of the set. after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok’s penchant for simple modal shapes and ostinati rhythms.

Oversættelse

Edward Gregson afsluttet Hyldester i sommeren 2010. Varig ca. 16 minutter er der fem stykker i sættet, hver dedikeret til en anden komponist og en anden klarinettist. med hvem Gregson havde lange musikalske foreninger. Hver af de Den dedikerede komponister skrev vidunderligt for klarinet og, som en hyldest til dem, Gregson forsøgte at invadere, ja efterligne deres stilistiske verdener i disse stykker. De er som følger. Til Francis Poulenc. for Emma Johnson. - En temmelig drømmende Toccata, lyriske i føler, men afbrudt af typisk finurlige og forstyrrende rytmiske episoder. Til Gerald Finzi. for John Bradbury. - Langsom og lyrisk med lange melodiske buer. Til Igor Stravinsky. for Linda Merrick. - Asymmetriske rytmer dominerer, med brede spring i solo linje og bitonal harmoni på klaver. Til Olivier Messiaen. for Nicholas Cox. - Baseret på henrivende langsom bevægelse Cello i sin Quartet til slutningen af ​​tid, er en sømløs melodi vævet omkring skiftende gentagne akkorder på klaver. Til Béla Bartók. for Michael Collins. - Den mest virtuos af sættet. Efter en langsom introduktion, en hvirvlende folkemusik-lignende dans udfolder sig, spejling Bartok forkærlighed for simple modale former og ostinater rytmer.