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Original tekst

Niels Rosing-Schow. Alliage III. Parts. Sheet Music. Violin. Cello. Accordion. VLN. VLC. ACDN. Niels Rosing-Schow.

Oversættelse

Niels Rosing-Schow. Alloy III. Dele. Noder. Violin. Cello. Harmonika. VLN. VLC. ACDN. Niels Rosing-Schow.

Original tekst

Programme note. Alloy III for Violin, Cello, Classical Accordion, and two Kokles. The instruments of this quintet are very different in appearance and in the way of playing as well as tone. production. strings to be bowed, strings to be plucked confronted with the airborne tone of the Accordion. The.origins and the traditions of the instruments are also very diversified reaching from traditional folkmusic. the. Kokle. and popular music. the Accordion. to art music of the classical tradition. the Violin and Cello. Acknoledging these references and connotations I refrain nevertheless from an obvious ‘casting’ of the. instruments, since I have always been fascinated by the less evident, by transitions and gradual displacement,. by the intangible places between one and the other. I search for this ‘terrain vague’ of fruitfull incertainty and. permanent genesis. To arrive there, I have in this piece created a musical expression, which makes hidden relations and unexplored. sonorous paths come forward between the different sound worlds of the instruments. Bringing together these. musical substances, I look for something deeper than just common sounds. a fresh musical place. And the lively. and bright sound world that emerges form this instrumental and textural ’in-between’ I associate to alloys, in. particular the silvery amalgamations of mercury. The work was composed to musicians from the Latvian ensmble Altera Veritas and of Ensemble Aleph. France. as a part of the project European Instrumental Laboratory. Niels Rosing-Schow.

Oversættelse

Note Programme. Alloy III for violin, cello, klassisk harmonika, og to Kokles. Instrumenterne i denne kvintet er meget forskellige i udseende og i vejen for at spille samt tone. produktion. strenge, der skal bøjet, strenge, der skal plukkes konfronteret med den luftbårne tone i harmonika. The.origins og traditioner instrumenterne også meget varieret nå fra traditionel folkemusik. den. Kokle. og populær musik. harmonika. til kunstmusik af den klassiske tradition. Det Violin og cello. Acknoledging oplysningerne samt konnotationer jeg undlade alligevel fra en indlysende "casting" af. instrumenter, da jeg altid har været fascineret af de mindre indlysende, ved overgange og gradvis forskydning,. af de immaterielle steder mellem ene og den anden. Jeg søger efter denne "terrain vague" af frugtbar incertainty og. permanent tilblivelse. At ankomme der, jeg har i dette stykke skabt en musikalsk udtryk, som gør skjulte relationer og uudforsket. klangfulde stier kommer frem mellem de forskellige lyd verdener instrumenterne. At samle disse. musikalske stoffer, jeg ser noget dybere end blot almindelige lyde. en frisk musikalsk sted. Og den livlige. og lyse lyd verden, der opstår danner denne instrumental og stoflige 'i-mellem "jeg forbinder til legeringer, i. særlige de sølvfarvede sammenlægninger af kviksølv. Værket er komponeret til musikere fra den lettiske ensmble Altera Veritas og Ensemble Aleph. Frankrig. som en del af projektet europæiske Instrumental Laboratory. Niels Rosing-Schow.