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Original tekst

Per Nørgård. Whirl's World. Score. Sheet Music. Wind Quintet. WIND 5TET. Per Norgard.

Oversættelse

Per Nørgård. Whirl World. Score. Noder. Blæserkvintet. WIND 5TET. Per Nørgård.

Original tekst

Programme Note WHIRLS WORLD. 1970. for wind quintet. “Whirls World” was composed in 1970 as one of a series of works which explored the so-called musical difference-phenomenon. This term. which I coined in connection with a series of lectures in California that year. indicates a motivic duplicity in which two - often very simple - melodic ideas come out of phrase with each other, giving rise to a course of constantly changing conditions. In Whirls World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves. first note number 1 of the three-note motif is moved, then note number 1 of the four-note motif, thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as fluctuations between very closely related tones. of which one is sung by the musician. There is only one movement, built up as an organic growth from slow to furiously fast, whirling, and back again to slow, which can be heard as slow-motion whirls, as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending, ending in the resolute bass full-stop. Per Norgård.

Oversættelse

Program Note hvirvler WORLD. 1970. for blæserkvintet. “Whirls World” was composed in 1970 as one of a series of works which explored the so-called musical difference-phenomenon. Dette udtryk. som jeg opfundet i forbindelse med en række foredrag i Californien samme år. angiver en motivisk dobbelthed, hvor to - ofte meget enkle - melodiske ideer kommer ud af sætningen med hinanden, hvilket giver anledning til et kursus på konstant skiftende betingelser. I Hvirvler Verden forskellen fænomen hørt fra Begyndelsen, hvor en tre-toners motiv og en fire-toners motiv er sat mod hinanden. Det hele provenuet sø en lynhurtig serie af skaktræk. første tone nummer 1 i tre-toners motiv flyttes, så bemærk nummer 1 af de fire-tone motiv, derefter notere nummer 2 af de tre-toners motiv - og så videre. Denne hurtige åbning flyder ind i en langsom sektion, hvor forskellene synes nu, som udsving mellem meget nærtbeslægtede toner. hvoraf den ene synges af musikeren. Der er kun én bevægelse, opbygget som en organisk vækst fra langsom til rasende hurtigt, hvirvlende og tilbage igen for at bremse, som kan høres som slow-motion hvirvler, som en vand-verden af ​​krusninger og bobler. Alt dette er indrammet af den ovenfor beskrevne indledning og en tilsvarende konklusion, hvor bevægelsen er nu faldende, der sluttede i den resolut bas fuld-stop. For Nørgård.