Instrumenter
Ensembles
Genres
Komponister
Udøvende kunstnere

Noder $12.55

Original tekst

Fantasia In G Minor For Oboe And Organ. Piano. opt. Bassoon. Cello. Sheet Music. Oboe. Organ. Piano. Bassoon. Cello. OB. ORG. PF. BSN. VLC. Johann Ludwig Krebs.

Oversættelse

Fantasia I G Minor For Oboe og orgel. Plan. opt. Fagot. Cello. Noder. Obo. Organ. Plan. Fagot. Cello. OB. ORG. PF. BSN. VLC. Johann Ludwig Krebs.

Original tekst

This edition of Fantasia is prepared from an autograph in the possession of the Hessische Landes und Hochschulbibliothek, Darmstadt, Germany. All editorial suggestions are shown in the normal manner, slashed slurs and square brackets. If a performance using Harpsichord or Piano is preferred a Continuo instrument. Bassoon or Cello. may replace the pedal line leaving the upper two parts to the Keyboard player. The German organist and composer Johann Ludwig Krebs , 1713-1780, received his early musical instruction from his father. During his teenage years he enrolled at St. Thomas's School in-Leipzig, where he had been accepted as one of Johann Sebastian Bach's pupils. He frequently played Harpsichord at the weekly practices of Bach's Collegium Musicum, and was generally acknowledged to be one of his best pupils. During his lifetime he served as organist or court musician in the German towns of Zwichau, Zeitz and Altenburg.

Oversættelse

Denne udgave af Fantasia fremstilles ud fra en autograf i besiddelse af Hessische Landes und Hochschulbibliothek, Darmstadt, Tyskland. Alle redaktionelle forslag er vist i normal måde, skåret nedsættende bemærkninger og firkantede parenteser. Hvis en ydelse med Harpsichord eller Piano foretrækkes en Continuo instrument. Fagot eller cello. kan erstatte pedal linje forlader de øverste to dele til keyboardspiller. Den tyske organist og komponist Johann Ludwig Krebs, 1713-1780, fik sin tidlige musikalske instruktion fra sin far. I sine teenageår han indskrevet på St. Thomas Skole i-Leipzig, hvor han var blevet accepteret som en af ​​Johann Sebastian Bachs elever. Han ofte spillede cembalo på de ugentlige praksis Bachs Collegium Musicum, og var almindeligt anerkendt som en af ​​sine bedste elever. I løbet af sin levetid tjente han som organist eller domstol musiker i de tyske byer Zwichau, Zeitz og Altenburg.