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Original tekst

Antonín Dvorák. Concerto For Violoncello And Orchestra In B Minor Op.104. Double Bass Part. Sheet Music. Double Bass. DB. Antonin Dvorak.

Oversættelse

Antonín Dvorák. Concerto For Cello And Orchestra I B Minor Op.104. Double Bass Part. Noder. Double Bass. DB. Antonin Dvorak.

Original tekst

Like every other great 19th-century solo concerto, Dvorák's famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák’s autograph score were actually written by the cellist Hanuš Wihan. but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together. The editor Jonathan Del Mar has painstakingly examined all the surviving sources, including two that have hitherto been either ignored or crucially undervalued, in order to produce an authoritative edition which restores – for the first time since the original edition was published in 1896 - Dvorák's final and definitive version of the solo cello part. This differs, in details, in almost every bar from the version found in all other modern editions, while hundreds of corrections have also been made to the orchestral parts. With Dvorák’s final and definitive version of the solo cello part. With hundreds of corrections in the solo cello part as well as the orchestral parts. With hitherto unknown details regarding the collaboration between Dvorák and Wihan. With Feuermann's and Casals' alternatives to a passage in the first movement.

Oversættelse

Ligesom alle andre store 19. århundrede solokoncert, Dvorák berømte Cello Concerto var et samarbejde mellem komponist og virtuos. Det har længe været kendt, at visse solo passager i Dvorák autograf score faktisk blev skrevet af cellisten Hanuš Wihan. men Bärenreiter udgave nu viser, at nogle detaljer i orkesterstemmer også i hans forfatterskab, der viser, hvor tæt de to musikere arbejdede sammen. Redaktøren Jonathan Del Mar har møjsommeligt undersøgt alle de overlevende kilder, herunder to, der hidtil har været enten ignoreret eller afgørende undervurderede, for at producere en autoritativ udgave, som genskaber - for første gang siden den oprindelige udgave blev offentliggjort i 1896 - Dvorák endelige og endelige udgave af den solo cello del. Dette adskiller sig, i detaljer, i næsten alle bar fra den version findes i alle andre moderne udgaver, mens hundredvis af korrektioner også er blevet gjort til de orkesterstemmer. Med Dvorák endelige og endelige udgave af den solo cello del. Med hundredvis af korrektioner i solo cello del samt orkesterstemmer. Med hidtil ukendte detaljer om samarbejdet mellem Dvorák og Wihan. Med Feuermann s og Casals 'alternativer til en passage i den første bevægelse.