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Original tekst

Poul Ruders. Corpus Cum Figuris. Score. Sheet Music. Chamber Orchestra. CHAM. Poul Ruders.

Oversættelse

Poul Ruders. Corpus Cum Figuris. Score. Noder. Kammerorkester. CHAM. Poul Ruders.

Original tekst

Corpus Cum Figuris is a uniform composition in three major parts. The first part is a slow marche funébre , a kind of prologue with dark and sombre sounds and a massive wall of chords which leads us to the other part of the works where the static and solemn atmosphere is suddenly stopped and replaced by a rhythmic. melodic ritual which accelerates the music. In the third part the block structure is softened gradually, different figurations and stylistic elements arise to live their own lives. distant waltzes and pictures from the Middle Ages appear in this gigantic sonorous body. After a wild percussion orgy a short flash-back and a scream from the edge end Corpus cum Figuris. The piece has no literal content at all, even though the title leads the thought to Adrian Leverkühn’s Apocalipsis cum Figuris from Thomas Mann’s Doctor Faustus. More likely, my piece will arouse associations as with all my music. It has to be heard in it’s own conditions, in this case as a big body of music or perhaps as a great screen where the details, of course, are part of the whole body but at the same time are foreign and odd. It is as if one climbs a mountain and from the top of that mountain discovers a world which is completely different from expected. Corpus cum Figuris for 20 musicians was composed in 1984, commissioned by Ensemble InterContemporain and the Danish Radio. Ensemble InterContemporain world premiered the work in April 1985 conducted by Peter Eötvös. The piece was also played at the ISCM-festival in Amsterdam by Netherland Radio Chamber Orchestra conducted by Ernest Bour.

Oversættelse

Corpus Cum Figuris er en ensartet sammensætning i tre større dele. Den første del er en langsom marche Funebre, en slags prolog med mørke og dystre lyde og en massiv mur af akkorder, der fører os til den anden del af de værker, hvor den statiske og højtidelige stemning er pludselig stoppet og erstattet af en rytmisk. melodiske ritual, som accelererer musikken. I tredje del blokstrukturen blødgøres gradvist forskellige figurationer og stilistiske elementer opstår at leve deres eget liv. fjernt valse og billeder fra middelalderen vises i denne gigantiske klangfuld krop. Efter en vild percussion orgie en kort flash-back og et skrig fra kanten ende Corpus cum Figuris. The piece has no literal content at all, even though the title leads the thought to Adrian Leverkühn’s Apocalipsis cum Figuris from Thomas Mann’s Doctor Faustus. Mere sandsynligt vil mit stykke vække associationer som med al min musik. It has to be heard in it’s own conditions, in this case as a big body of music or perhaps as a great screen where the details, of course, are part of the whole body but at the same time are foreign and odd. Det er som om man klatrer et bjerg og fra toppen af ​​det bjerg opdager en verden, som er helt forskellig fra forventet. Corpus cum Figuris i 20 musikere er komponeret i 1984, bestilt af Ensemble InterContemporain og den danske Radio. Ensemble InterContemporain verden premiere arbejdet i April 1985 udført af Peter Eötvös. Stykket blev også spillet på ISCM-festivalen i Amsterdam med Netherland Radio Chamber Orchestra dirigeret af Ernest Bour.