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Download gratis noder og partiturer:
Between The Lines

Noder (Scorch)
Original tekst: Read between the Lines. Andrew Sproxton. Large mixed ensemble.

Oversættelse: Stor blandet sammen.

Noder
Original tekst: The World Between the Lines. Piccolo. Flute. Oboe. Bassoon. Clarinet. Alto Saxophone. Tenor Saxophone. Trumpet.

Oversættelse: Lille. Fløjte. Obo. Fagot. Klarinet. Altsaxofon. Baryton Saxofon. Trompet. French Horn.

Noder
Original tekst: Symphony no 20 'In between', 5. between the lines. mov. Flute. English Horn. Bassoon. French Horn. Trombone.

Oversættelse: Fløjte. Fagot. Pauker. Percussion. Strings.

Noder
Original tekst: a pretty good mood, like right past the line between happy and sad. Piano.

Oversættelse: Plan.

Noder
Original tekst: Ноты Sara Bareilles - Between The Lines. Фортепиано.

Oversættelse: Klaver.

Noder
Original tekst: Celebrate Immanuel's name. No text is underlaid in the source, although Hymns 215, 372 and 603. Joel Thorne. Sacred , Hymn Meter. 76.

Oversættelse: The present text is that of Hymn 603. Hymns 215 and 372 are 'Glorious Saviour of my soul' and 'Give me the enlarged desire'.

Noder
Original tekst: Summoned my labour to renew. No text is underlaid in the source, although Hymns 91 and 321. Joel Thorne. A cappella. 86.

Oversættelse: The present text is that of Hymn 321. Sacred, Hymn Meter. C.M. Sprog.

Noder
Original tekst: Regina Coeli, KV 276. There are four Marian antiphons, one for each season of the year.

Oversættelse: Mozart's Regina Coeli , K. 276, is a Marian antiphon, a type of liturgical chant common in the Gregorian repertory.

Noder
Original tekst: Miserere nostri. Most obvious is the canon between the two top voices. mentioned at the foot of page 1.

Oversættelse: Miserere vores. from the score of CPDL #6605. Thomas Tallis. A cappella. Sacred, Motet. Sprog. Latin.

Noder
Original tekst: Sleep, Little Jesus, Sleep. The only overlap in text between the poem and this piece is the title. A cappella.

Oversættelse: I had a huge amount of trouble getting my teeth around the phrase and this piece became something of a catharsis. Mark Liversidge.

Noder
Original tekst: Rumsfeld. The composer writes. But there are also unknown unknowns -- the ones we don't know we don't know.

Oversættelse: Because there are reports that there is no evidence of a direct link between Baghdad and some of these terrorist organizations.

Noder
Original tekst: O bone Jesu. If in doubt, see the Cassola edition on cpdl to identify the appropriate sections.

Oversættelse: Although some excellent professional recordings of the work exist, the scoring presents insuperable problems to most choirs.

Noder
Original tekst: Du fons de ma pensee. polyphonic version of Psalm 130, with French text by Marot, no link with the Geneva melody.

Oversættelse: The music is of high quality. While adding a Bassus he soon found out that the second part is perfect as it is.

Noder
Original tekst: This is Australia. When I began working on my entry to the ROCS composition competition I. sing the line marked “Men”.

Oversættelse: From then, the text, and subsequently music, took shape fairly easily and quickly. based on the choir, acoustics, etc.

Noder
Original tekst: Miserere nostri. Most obvious is the canon between the two top voices. mentioned at the foot of page 1.

Oversættelse: Miserere vores. from the score of CPDL #6605. Thomas Tallis. A cappella. Sacred, Motet. Sprog. Latin.

Noder $1.25
Original tekst: The Cure. In Between Days. Melody Line, Lyrics & Chords. The Cure. Digital Sheet Music. MLC. --.

Oversættelse: Digitale Noder. Melodilinie,.

Noder $1.50
Original tekst: Little Creatures Between the Lines. Little Creatures Between the Lines composed by Jiri Laburda.

Oversættelse: Little Creatures mellem linjerne. Jiri Laburda. Choir noder. Klaverakkompagnement noder. Begyndelse. For unisont kor, klaver. Medium-let.

Noder $1.56
Original tekst: Iron Maiden. The Thin Line Between Love And Hate. Digital Sheet Music. Guitar Tab. TAB. Iron Maiden. --.

Oversættelse: Den tynde linje mellem kærlighed og had. Digitale Noder.

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